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African Art and the Colonial Encounter : Inventing a Global Commodity /
Focusing on the theme of warriorhood, Sidney Littlefield Kasfir weaves a complex history of how colonial influence forever changed artistic practice, objects, and their meaning. Looking at two widely diverse cultures, the Idoma in Nigeria and the Samburu in Kenya, Kasfir makes a bold statement about...
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Bloomington :
Indiana University Press,
2007.
|
| Colección: | Book collections on Project MUSE.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 006 | m o d | ||
| 007 | cr||||||||nn|n | ||
| 008 | 100420s2007 inu o 00 0 eng d | ||
| 010 | |z 2007007408 | ||
| 020 | |a 9780253022653 | ||
| 020 | |z 9780253219220 | ||
| 020 | |z 9780253348920 | ||
| 035 | |a (OCoLC)966771346 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Kasfir, Sidney Littlefield, |e author. | |
| 245 | 1 | 0 | |a African Art and the Colonial Encounter : |b Inventing a Global Commodity / |c Sidney Littlefield Kasfir. |
| 264 | 1 | |a Bloomington : |b Indiana University Press, |c 2007. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2017 | |
| 264 | 4 | |c ©2007. | |
| 300 | |a 1 online resource (408 pages): |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a African expressive cultures | |
| 505 | 0 | |a Introduction: colonial power and aesthetic practice -- Part 1. Warriors. Maa warriorhood and British colonial discource. -- Idoma warriorhood and the Pax Britannica -- Part 2. Sculptors and smiths. Colonial rupture and innovation: the colonizer as inadvertent patron -- Samburu smiths, Idoma maskmakers: power at a distance -- Part 3. Masks, spears, the body. Mask and spear: art, thing, commodity -- Warrior theatre and the ritualized body -- Part 4. Commodities. Idoma sculpture: colonialism and the market for African art -- Samburu encounters with modernity: spears as tourist souvenirs -- Samburu warriors in Hollywood films: cinematic commodities -- Reprise: the three C's: colonialism, commidities, and complex representations -- Coda: from spears to guns in the North Rift. | |
| 520 | |a Focusing on the theme of warriorhood, Sidney Littlefield Kasfir weaves a complex history of how colonial influence forever changed artistic practice, objects, and their meaning. Looking at two widely diverse cultures, the Idoma in Nigeria and the Samburu in Kenya, Kasfir makes a bold statement about the links between colonialism, the Europeans' image of Africans, Africans' changing self representation, and the impact of global trade on cultural artifacts and the making of art. This intriguing history of the interaction between peoples, aesthetics, morals, artistic objects and practices, and the global trade in African art challenges current ideas about artistic production and representation. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 1 | 7 | |a Kunsthandel. |2 gtt |
| 650 | 1 | 7 | |a Kolonialisme. |2 gtt |
| 650 | 1 | 7 | |a Kunst. |2 gtt |
| 650 | 7 | |a Speer |2 gnd | |
| 650 | 7 | |a Kulturkontakt |2 gnd | |
| 650 | 7 | |a Kunsthandel |2 gnd | |
| 650 | 7 | |a Kunst |2 gnd | |
| 650 | 7 | |a Spears. |2 fast |0 (OCoLC)fst01128817 | |
| 650 | 7 | |a Exoticism in art. |2 fast |0 (OCoLC)fst01896049 | |
| 650 | 7 | |a Colonies in art. |2 fast |0 (OCoLC)fst00868476 | |
| 650 | 7 | |a British colonies. |2 fast |0 (OCoLC)fst01910374 | |
| 650 | 7 | |a Art and globalization. |2 fast |0 (OCoLC)fst00815395 | |
| 650 | 7 | |a Art, African |x Western influences. |2 fast |0 (OCoLC)fst01765516 | |
| 650 | 7 | |a ART |x African. |2 bisacsh | |
| 650 | 7 | |a SOCIAL SCIENCE |x Minority Studies. |2 bisacsh | |
| 650 | 7 | |a SOCIAL SCIENCE |x Discrimination & Race Relations. |2 bisacsh | |
| 650 | 7 | |a visual arts. |2 ascl |0 (NL-LeOCL)294943412 | |
| 650 | 7 | |a colonialism. |2 ascl |0 (NL-LeOCL)294905111 | |
| 650 | 7 | |a traditional weapons. |2 ascl |0 (NL-LeOCL)294941568 | |
| 650 | 7 | |a masks. |2 ascl |0 (NL-LeOCL)294924418 | |
| 650 | 7 | |a warriors. |2 ascl |0 (NL-LeOCL)294943706 | |
| 650 | 7 | |a Idoma. |2 ascl |0 (NL-LeOCL)294916172 | |
| 650 | 7 | |a Samburu. |2 ascl |0 (NL-LeOCL)294936025 | |
| 650 | 7 | |a Nigeria. |2 ascl |0 (NL-LeOCL)294928618 | |
| 650 | 7 | |a Kenya. |2 ascl |0 (NL-LeOCL)294919376 | |
| 650 | 7 | |a Africa. |2 ascl |0 (NL-LeOCL)294896791 | |
| 650 | 6 | |a Art et mondialisation. | |
| 650 | 6 | |a Exotisme dans l'art. | |
| 650 | 6 | |a Colonies dans l'art. | |
| 650 | 6 | |a Idoma (Peuple d'Afrique) |x Culture materielle. | |
| 650 | 6 | |a Samburu (Peuple d'Afrique) |x Culture materielle. | |
| 650 | 0 | |a Art and globalization. | |
| 650 | 0 | |a Exoticism in art. | |
| 650 | 0 | |a Colonies in art. | |
| 650 | 0 | |a Spears |z Kenya. | |
| 650 | 0 | |a Art, African |x Western influences. | |
| 650 | 0 | |a Idoma (African people) |x Material culture. | |
| 650 | 0 | |a Samburu (African people) |x Material culture. | |
| 651 | 7 | |a Samburu. |2 swd | |
| 651 | 7 | |a Afrika. |2 gtt | |
| 651 | 7 | |a Afrika |2 gnd | |
| 651 | 7 | |a Kenya. |2 fast |0 (OCoLC)fst01208718 | |
| 651 | 7 | |a Africa. |2 fast |0 (OCoLC)fst01239509 | |
| 651 | 6 | |a Grande-Bretagne |x Colonies |z Afrique. | |
| 651 | 0 | |a Great Britain |x Colonies |z Africa. | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/43776/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - Archive Complete Supplement V | ||
| 945 | |a Project MUSE - Archive Global Cultural Studies Supplement V | ||
| 945 | |a Project MUSE - Archive African Studies Supplement IV | ||