Theatre History Studies 2015, Vol. 34 / Volume 34 / Volume 34 /

Detalles Bibliográficos
Otros Autores: Reitz Mullenix, Elizabeth (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Tuscaloosa, AL : Mid-America Theatre Conference and the University of Alabama Press, 2015.
Colección:Book collections on Project MUSE.
Temas:
Theater.
PERFORMING ARTS > Theater > General.
Theâtre > Histoire.
Theater > History.
History.
Electronic books.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • List of Illustrations; Introduction
  • Elizabeth Reitz Mullenix; Theatre History, Theatrical Mimesis, and the Myth of the Abydos Passion Play
  • Alan Sikes; William Alexander Leidesdorff and the American 1847: Minstrelsy and Race in California Before the Gold Rush
  • Andrew Gibb; Antebellum Touring and the Culture of Deception: The Case of Master Diamond
  • Nicole Berkin; Performing the Polish-American Patriot: Civic Performance and Hyphenated Identity in World War I Chicago
  • Megan E. Geigner; New Paths to Representation
  • Or, How Under the Cherokee Moon Broke the Outdoor Historical Drama Mold
  • Heidi L. NeesBook Reviews; Valleri J. Hohman, Russian Culture and Theatrical Performance in America, 1891-1933
  • Reviewed by Sharon Marie Carnicke; Elizabeth A. Osborne, Staging the People: Community and Identity in the Federal Theatre Project
  • Reviewed by Johnathan Chambers; Eli Rozik, Comedy: A Critical Introduction
  • Reviewed by Miriam Chirico; Jill A. Sullivan, The Politics of the Pantomime: Regional Identity in the Theatre, 1860-1900
  • Reviewed by Meredith Conti
  • Barbara Ozieblo and Noelia Hernando-Real, eds., Performing Gender Violence: Plays by Contemporary American Women Dramatists
  • Reviewed by Jerry DickeyRebecca Schneider, Performing Remains: Art and War in Times of Theatrical Reenactment
  • Reviewed by Julia Fawcett; Alfonso Ceballos Muñoz, Ramón Espejo Romero, and Bernardo Muñoz Martinez, eds., Violence in American Drama: Essays on Its Staging, Meanings and Effects
  • Reviewed by Iris Fischer; Stacy Wolf, Changed for Good: A Feminist History of the Broadway Musical
  • Reviewed by Brett D. Johnson
  • Noelia Hernando-Real, Self and Space in the Theater of Susan Glaspell
  • Reviewed by Emeline JouveKeith Garebian, The Making of Cabaret
  • Reviewed by Valerie Joyce; Ruth Feldstein, How It Feels to Be Free: Black Women Entertainers and the Civil Rights Movement
  • Reviewed by Keith Byron Kirk; Helen Smith, There's a Place for Us: The Musical Theatre Works of Leonard Bernstein
  • Reviewed by Jenna L. Kubly; Scott Magelssen, Simming: Participatory Theatre and the Making of Meaning
  • Reviewed by Martha S. Lomonaco; Susan Bennett, Theatre and Museums
  • Reviewed by Scott Magelssen
  • Simon C. Estok, Ecocriticism and Shakespeare: Reading Ecophobia
  • Reviewed by Theresa J. MayAlastair Brotchie, Alfred Jarry: A Pataphysical Life
  • Reviewed by Lance Mekeel; Elizabeth C. Ramírez and Catherine Casiano, eds., La Voz Latina: Contemporary Plays and Performance Pieces by Latinas
  • Reviewed by Beliza Torres Narvaez; Robin Bernstein, Racial Innocence: Performing American Childhood from Slavery to Civil Rights
  • Reviewed by Tavia Nyong'o; Theresa Robbins Dudeck, Keith Johnstone: A Critical Biography
  • Reviewed by Kristen Rogers
  • Rosemary Malague, An Actress Prepares: Women and "the Method"
  • Reviewed by Kristen Rogers

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