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Mad Loves : Women and Music in Offenbach's Les Contes d'Hoffmann /
"In an exploration of Jacques Offenbach's final masterpiece, Heather Hadlock shows how Les Contes d'Hoffmann summed up not only the composer's career but also a century of Romantic culture. A strange fusion of irony and profundity, frivolity and nightmare, the opera unfolds as a...
| Auteur principal: | |
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| Format: | Électronique eBook |
| Langue: | Inglés |
| Publié: |
Princeton, NJ :
Princeton University Press,
2000.
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| Collection: | Book collections on Project MUSE.
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| Sujets: | |
| Accès en ligne: | Texto completo |
MARC
| LEADER | 00000cam a22000004a 4500 | ||
|---|---|---|---|
| 001 | musev2_40991 | ||
| 003 | MdBmJHUP | ||
| 005 | 20230905044310.0 | ||
| 006 | m o d | ||
| 007 | cr||||||||nn|n | ||
| 008 | 141222s2000 nju o 00 0 eng d | ||
| 020 | |a 9781400866724 | ||
| 020 | |z 9780691058023 | ||
| 020 | |z 9780691170855 | ||
| 035 | |a (OCoLC)898476937 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Hadlock, Heather, |e author. | |
| 245 | 1 | 0 | |a Mad Loves : |b Women and Music in Offenbach's Les Contes d'Hoffmann / |c Heather Hadlock. |
| 264 | 1 | |a Princeton, NJ : |b Princeton University Press, |c 2000. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2016 | |
| 264 | 4 | |c ©2000. | |
| 300 | |a 1 online resource (192 pages): |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Princeton studies in opera | |
| 505 | 0 | |a Telling the Tales -- Mesmerizing voices: music, medicine, and the invention of Dr. Miracle -- Song as symptom: Antonia, Olympia, and the Prima Donna Mother -- Offenbach, for posterity -- Reflections on the Venetian Act. | |
| 520 | 1 | |a "In an exploration of Jacques Offenbach's final masterpiece, Heather Hadlock shows how Les Contes d'Hoffmann summed up not only the composer's career but also a century of Romantic culture. A strange fusion of irony and profundity, frivolity and nightmare, the opera unfolds as a series of dreamlike episodes, peopled by such archetypes as the Poet, the Beautiful Dying Girl, the Automaton, the Courtesan, and the Mesmerist. Hadlock shows how these episodes comprise a collective unconscious. Her analyses touch on topics ranging from the self-reflexive style of the protagonist and the music, to parallels between nineteenth-century discourses of theater and medical science, to fascination with the hysterical female subject."--Jacket | |
| 546 | |a English. | ||
| 588 | |a Description based on print version record. | ||
| 600 | 1 | 7 | |a Offenbach, Jacques. |t Contes d'Hoffmann. |2 swd |
| 600 | 1 | 6 | |a Offenbach, Jacques, |d 1819-1880 |t Contes d'Hoffmann. |
| 600 | 1 | 1 | |a Offenbach, Jacques, |d 1819-1880. |t Contes d'Hoffmann. |
| 600 | 1 | 0 | |a Offenbach, Jacques, |d 1819-1880. |t Contes d'Hoffmann. |
| 650 | 1 | 7 | |a Vrouwen. |2 gtt |
| 650 | 1 | 7 | |a Opera's. |2 gtt |
| 650 | 7 | |a Frau |g Motiv |2 gnd | |
| 650 | 7 | |a Women. |2 fast |0 (OCoLC)fst01176568 | |
| 650 | 7 | |a Opera. |2 fast |0 (OCoLC)fst01046145 | |
| 650 | 7 | |a Women in opera. |2 fast |0 (OCoLC)fst01177937 | |
| 650 | 7 | |a MUSIC |x Genres & Styles |x Opera. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Printed Music |x Vocal. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Lyrics. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Instruction & Study |x Voice. |2 bisacsh | |
| 650 | 6 | |a Femmes à l'opera. | |
| 650 | 0 | |a Women in opera. | |
| 630 | 0 | 7 | |a Contes d'Hoffmann (Offenbach, Jacques) |2 fast |0 (OCoLC)fst01361226 |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 880 | |6 500-00/(2/r |a נושא ישן: Women in opera. | ||
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/40991/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - Archive Complete Supplement IV | ||
| 945 | |a Project MUSE - Archive Global Cultural Studies Supplement IV | ||