Spoofing the Modern : Satire in the Harlem Renaissance /

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"Spoofing the Modern is the first book devoted solely to studying the role satire played in the movement known as the "New Negro," or Harlem, Renaissance from 1919 to 1940. As the first era in which African American writers and artists enjoyed frequent access to and publicity from maj...

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Détails bibliographiques
Auteur principal: Dickson-Carr, Darryl, 1968-
Format: Électronique eBook
Langue:Inglés
Publié: Columbia : University of South Carolina Press, 2015.
Collection:Book collections on Project MUSE.
Sujets:
Satire, American.
Intellectual life.
Harlem Renaissance.
American literature > African American authors.
African Americans in popular culture.
African Americans in literature.
LITERARY CRITICISM > American > African American.
Noirs americains dans la litterature.
Noirs americains dans la culture populaire.
American literature > African American authors > History and criticism.
Satire, American > History and criticism.
New York (State) > New York > Harlem.
Harlem (New York, N.Y.) > Intellectual life > 20th century.
Criticism, interpretation, etc.
Electronic book.
Electronic books.
Accès en ligne:Texto completo
Table des matières:
  • Cover; Spoofing the Modern; Title; Copyright; Dedication; Contents; Acknowledgments; 1 Toward a Revision of the Harlem Renaissance; 2 The Importance of Being Iconoclastic: George S. Schuyler, the Messenger, and the Black Menckenites; 3 Wallace Thurman, Richard Bruce Nugent, and the Reification of "Race," Aesthetics, and Sexuality; 4 Dickties vs. Rats: Class and Regional Differences within the New Negro Movement; 5 Punchlines; Notes; Bibliography; Index.

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