Cargando…
The Disney Fetish /
Long considered a figurehead of family values and wholesome adolescence, the Disney franchise has faced increasing criticism over its gendered representations of children in film, its stereotypical representations of race and non-white cultures, and its emphasis on the heterosexual couple. Against a...
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New Barnet, Herts :
John Libbey Publishing Ltd.,
[2015]
|
| Colección: | Book collections on Project MUSE.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a22000004a 4500 | ||
|---|---|---|---|
| 001 | musev2_40042 | ||
| 003 | MdBmJHUP | ||
| 005 | 20230905044212.0 | ||
| 006 | m o d | ||
| 007 | cr||||||||nn|n | ||
| 008 | 150417s2015 enk o 00 0 eng d | ||
| 020 | |a 9780861969081 | ||
| 020 | |z 9780861967131 | ||
| 035 | |a (OCoLC)908633156 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Harrington, Sean, |e author. | |
| 245 | 1 | 4 | |a The Disney Fetish / |c Seán Harrington. |
| 264 | 1 | |a New Barnet, Herts : |b John Libbey Publishing Ltd., |c [2015] | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2015 | |
| 264 | 4 | |c ©[2015] | |
| 300 | |a 1 online resource (244 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a Introduction -- Part one. The homunculus -- A theoretical context -- Psycho-mythology -- The phallus and Disney animation -- The conceptual homunculus -- Part two. The regressive apparatus -- Disney character tropes -- The industrial process and the father -- Fantasia and eroticism -- Regression and jouissance -- Part three. The hybrid utopia -- Hegemony -- Disney's "Good neighbour" -- World War II and propaganda -- The consumerist utopia. | |
| 520 | |a Long considered a figurehead of family values and wholesome adolescence, the Disney franchise has faced increasing criticism over its gendered representations of children in film, its stereotypical representations of race and non-white cultures, and its emphasis on the heterosexual couple. Against a historical backdrop of studio history, audience reception, and the industrial-organizational apparatus of Disney media, SeAn Harrington examines the Disney classics through a psychoanalytical framework to explore the spirit of devotion, fandom, and frenzy that is instilled in consumers of Disney products and that underlie the fantasy of the Magic Kingdom. This compelling study demystifies the unsettling cleanliness and pretensions to innocence that the Disney brand claims to hold. | ||
| 546 | |a English. | ||
| 588 | |a Description based on print version record. | ||
| 610 | 2 | 7 | |a Walt Disney Company. |2 fast |0 (OCoLC)fst00622498 |
| 610 | 2 | 0 | |a Walt Disney Company |x History. |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/40042/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - 2015 Film, Theater and Performing Arts | ||
| 945 | |a Project MUSE - 2015 Complete | ||