Making Photography Matter : A Viewer's History from the Civil War to the Great Depression /

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"Photography became a dominant medium in cultural life starting in the late nineteenth century. As it happened, viewers increasingly used their reations to photographs to comment on and debate public issues as vital as war, national identity, and citizenship"--Jacket

Détails bibliographiques
Auteur principal: Finnegan, Cara A.
Format: Électronique eBook
Langue:Inglés
Publié: Urbana : University of Illinois Press, [2015]
Collection:Book collections on Project MUSE.
Sujets:
Photography > Social aspects.
Documentary photography.
SOCIAL SCIENCE > Media Studies.
TECHNOLOGY & ENGINEERING > Imaging Systems.
PHOTOGRAPHY > Reference.
COMPUTERS > Digital Media > Photography.
Photographie > Aspect social > États-Unis.
Photographie documentaire > États-Unis > Histoire > 19e siecle.
Photographie documentaire > États-Unis > Histoire > 20e siecle.
Photography.
Art, Architecture & Applied Arts.
Visual Arts.
Photography > Social aspects > United States.
Documentary photography > United States > History > 19th century.
Documentary photography > United States > History > 20th century.
United States.
History.
Electronic book.
Electronic books.
Accès en ligne:Texto completo
Table des matières:
  • The presence of unknown soldiers and imaginary spirits : viewing national grief and trauma in the Civil War
  • Recognizing Lincoln : portrait photography and the physiognomy of national character
  • Appropriating the healthy child : the child that toileth not and Progressive Era child labor photography
  • Managing the magnitude of the Great Depression : viewers respond to FSA photography.

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