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LES CONTEMPLATIONS of Victor Hugo : An Allegory of the Creative Process

Victor Hugo's work presents the reader with a paradox nowhere more apparent than in the collection of more than 150 lyric poems entitled Les Contemplations. Although he insisted upon structural unity, his complex artistic creations often seem disordered and digressive. Suzanne Nash examines thi...

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Detalles Bibliográficos
Autor principal: Nash, Suzanne
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Princeton University Press, 2015.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

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245 1 4 |a LES CONTEMPLATIONS of Victor Hugo :   |b An Allegory of the Creative Process 
264 1 |b Princeton University Press,  |c 2015. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2016 
264 4 |c ©2015. 
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505 0 0 |t Frontmatter --  |t Preface --  |t Contents --  |t Introduction --  |t I. The Allegorical Nature and Context of Hugo's Work --  |t II. The Structure of Hugo's Allegory --  |t III. Leopoldine--Mediating Angel --  |t IV. Aurore --  |t V. L'Ame en fleur --  |t VI. Les Luttes et les reves --  |t VII. Pauca meae --  |t VIII. En marche --  |t IX. Au bord de I'infini --  |t X.A celle qui est restee en France --  |t Conclusion --  |t A Selected Bibliography --  |t Index. 
520 |a Victor Hugo's work presents the reader with a paradox nowhere more apparent than in the collection of more than 150 lyric poems entitled Les Contemplations. Although he insisted upon structural unity, his complex artistic creations often seem disordered and digressive. Suzanne Nash examines this contradiction, and she proposes here a new approach to Les Contemplations that reveals how it may be read as a unified allegory of Hugo's understanding of the creative process. The author's reading heightens the subtleties of individual poems by placing them within the context of the collection. She clarifies the poet's use of rhetorical devices and. illuminating Les Contemplations as a metapoetic creation, shows how it can serve as a guide to Hugo's other works. The first two chapters present evidence of Hugo's narrative intention, place his work within an allegorical tradition, and describe the structure of the allegory. One poem, Pasteurs et troupeaux, is analyzed as a paradigm for the whole, and a single theme, that of Leopoldine as sacrificial muse and figure for poetic language, is traced through the six books. The author demonstrates Hugo's narrative purpose in his use of rhetorical forms and examines (according to predominance of themes, images, and technical devices) the six chapters as steps in the religio-poetic allegory. Originally published in 1977. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. 
546 |a In English. 
588 |a Description based on print version record. 
600 1 1 |a Hugo, Victor,  |d 1802-1885.  |t Contemplations. 
600 1 0 |a Hugo, Victor,  |d 1802-1885.  |t Contemplations. 
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650 7 |a LITERARY CRITICISM  |x European  |x French.  |2 bisacsh 
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