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The Tragic Myth : Lorca and Cante Jondo /

With literature, music constituted the most important activity of poet and playwright Federico Garcia Lorca's life. The two arts were closely related to each other throughout his career. As a child, Lorca imbibed traditional Andalusian songs from the lips of the family maids, whom he would reme...

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Détails bibliographiques
Auteur principal: Stanton, Edward F., 1942-
Format: Électronique eBook
Langue:Inglés
Publié: Lexington : The University Press of Kentucky, 1978.
Collection:Book collections on Project MUSE.
Sujets:
Accès en ligne:Texto completo
Table des matières:
  • Cover; Title; Copyright; Contents; PROLOGUE; I. THEORY AND PRACTICE; 1. Theory: The Lectures; The Primitive A ndalusian Song; The Theory of Duende; 2. Practice: Granada, 1922; II. ECHOES AND MOTIFS; 3. Echoes: Space, Time, the Saeta, Visceral Suffering, Extremes; 4. Motifs and Themes; Pena negra; The Guitar; The Bull and Bullfighting; III. LORCA, CANTE JONDO, AND MYTH; 5. The Mythic Land: Andalusia; A Poetic Trajectory; Sea and Olive; A Lorcan Geography; Granada; Cordova; Seville; Malaga and Jerez de la Frontera; 6. The Mythic Man: The Gypsy; Animism and Religion; Innate Surrealism.
  • 7. Myth and History: The SaetaA History of the Saeta; ""Poema de la saeta""; IV. THE TRAGIC MYTH; 8. Conclusion; NOTES; A SELECTED BIBLIOGRAPHY; INDEX.