Nine Seventeenth-Century Organ Transcriptions from the Operas of Lully /

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Jean-Baptiste Lully is perhaps best known in the history of music as the founder of French opera. Although Italian-born himself, he created a form of opera so suited to French tastes and needs that it alone, among the attempts of various other nations at operatic forms of their own, was able to resi...

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Detalles Bibliográficos
Otros Autores: Howell, A. C. (Almonte Charles), 1895-1986
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Lexington : The University Press of Kentucky, [2015]
Colección:Book collections on Project MUSE.
Temas:
Organ music, Arranged.
Operas > Excerpts, Arranged.
Hymns > Instrumental settings.
Chorale preludes.
MUSIC > Individual Composer & Musician.
MUSIC > Printed Music > Percussion.
MUSIC > Musical Instruments > Piano & Keyboard.
Orgue, Musique d', arr.
Operas > Extraits arr.
Chorals, Preludes de.
Electronic books.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Cover; Title; Copyright; Contents; INTRODUCTION; No. 1. L'OUVER TURE DE BELLEROPHON; No. 2. L'OUVERTURE D'ISIS; No. 3. TROMPETTE DE L'OPERA [Prelude from the Prologue to Isis]; No. 4. MENUET [Air from Isis, Act III, Scene xi]; No. 5. MENÜETT [2e Air pour les Muses, from the Prologue to Isis]; No. 6. L'OUVERTURE DE L'OPERA D'ALCESTE; No. 7. MARCHE DE L'OPERA [Rondeau from the Prologue to Alceste]; No. 8. PIECE DE L'OPERA [Duo from the Prologue to Atys]; No. 9. LA MARCHE [Entree des Sacrificateurs, from Thesee, Act I, Scene xi].

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