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Free Jazz/Black Power /

In 1971, French jazz critics Philippe Carles and Jean-Louis Comolli co-wrote 'Free Jazz/Black Power', a treatise on the racial and political implications of jazz and jazz criticism. It remains a testimony to the long ignored encounter of radical African American music and French left-wing...

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Detalles Bibliográficos
Autores principales: Carles, Philippe (Autor), Comolli, Jean-Louis (Autor)
Otros Autores: Pierrot, Gregory (Traductor)
Formato: Electrónico eBook
Idioma:Inglés
Francés
Publicado: Jackson : University Press of Mississippi, [2015]
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Carles, Philippe,  |e author. 
240 1 0 |a Free jazz/Black power.  |l English 
245 1 0 |a Free Jazz/Black Power /   |c by Philippe Carles and Jean-Louis Comolli ; translated by Gregory Pierrot. 
264 1 |a Jackson :  |b University Press of Mississippi,  |c [2015] 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2015 
264 4 |c ©[2015] 
300 |a 1 online resource (256 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a American made music series 
505 0 |a Not a black problem, but a white problem. Jazz today ; Economic ownership of jazz ; Cultural colonization ; The blind task of criticism -- Notes on a black history of jazz. Three preliminary remarks ; What the blues say ; Black music before jazz ; In the margins of jazz history -- Contradictions of jazz in a state of freedom. Free fragments ; Music/Politics. 
520 8 |a In 1971, French jazz critics Philippe Carles and Jean-Louis Comolli co-wrote 'Free Jazz/Black Power', a treatise on the racial and political implications of jazz and jazz criticism. It remains a testimony to the long ignored encounter of radical African American music and French left-wing criticism. Carles and Comolli set out to defend a genre vilified by jazz critics on both sides of the Atlantic by exposing the new sound's ties to African American culture, history, and the political struggle that was raging in the early 1970s. This analysis of jazz criticism and its production is astutely self-aware. It critiques the critics, building a work of cultural studies in a time and place where the practice was virtually unknown. 
546 |a Translated from the French. 
588 |a Description based on print version record. 
650 7 |a Jazz  |x Social aspects.  |2 fast  |0 (OCoLC)fst00982185 
650 7 |a Jazz.  |2 fast  |0 (OCoLC)fst00982165 
650 7 |a Free jazz.  |2 fast  |0 (OCoLC)fst00933892 
650 7 |a African Americans.  |2 fast  |0 (OCoLC)fst00799558 
650 7 |a SOCIAL SCIENCE  |x Black Studies (Global)  |2 bisacsh 
650 7 |a MUSIC  |x Genres & Styles  |x Jazz.  |2 bisacsh 
650 6 |a Noirs americains  |x Histoire  |y 1964- 
650 6 |a Free jazz  |x Histoire et critique. 
650 0 |a Jazz  |x Social aspects. 
650 0 |a African Americans  |x History  |y 1964- 
650 0 |a Free jazz  |x History and criticism. 
650 0 |a Jazz  |x History and criticism. 
655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a Electronic books.   |2 local 
700 1 |a Pierrot, Gregory,  |e translator. 
700 1 |a Comolli, Jean-Louis,  |e author. 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/36766/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2015 Film, Theater and Performing Arts 
945 |a Project MUSE - 2015 Complete 
945 |a Project MUSE - 2015 American Studies