Convict Voices : Women, Class, and Writing about Prison in Nineteenth-Century England /
In this lively study of the development and transformation of voices of female offenders in nineteenth-century England, Anne Schwan analyzes a range of colorful sources, including crime broadsides, reform literature, prisoners' own writings about imprisonment and courtroom politics, and convent...
Call Number: | Libro Electrónico |
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Main Author: | |
Format: | Electronic eBook |
Language: | Inglés |
Published: |
Durham, New Hampshire :
University of New Hampshire Press,
[2014]
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Series: | Becoming modern.
Book collections on Project MUSE. |
Subjects: | |
Online Access: | Texto completo |
Table of Contents:
- Introduction: Approaching female prisons' voices
- "Shame, you are not going to hang me!": Women's voices in nineteenth-century street literature
- The lives of which "There are no records kept": Convicts and matrons in the prison narratives of Frederick William Robinson ("A prison Matron")
- The limits of female reformation: Hidden stories in George Eliot's Adam Bede and Wilkie Collins's The Moonstone
- "A clamorous multitude and a silent prisoner": Women's rights, spirtualism, and public speech in Susan Willis Fletcher's Twelve Months in an English Prison
- Gender and citizenship in Edwardian writings from prison: Katie Gliddon and the suffragettes at Holloway
- Postscript: Rewriting women's prison history in historical fiction: Margaret Atwood's Alias Grace and Sarah Waters's Affinity.