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Phantom Ladies : Hollywood Horror and the Home Front /

Defying industry logic and gender expectations, women started flocking to see horror films in the early 1940s. The departure of the young male audience and the surprise success of the film Cat People convinced studios that there was an untapped female audience for horror movies, and they adjusted th...

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Detalles Bibliográficos
Autor principal: Snelson, Tim, 1973-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New Brunswick, New Jersey : Rutgers University Press, [2014]
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Snelson, Tim,  |d 1973- 
245 1 0 |a Phantom Ladies :   |b Hollywood Horror and the Home Front /   |c Tim Snelson. 
264 1 |a New Brunswick, New Jersey :  |b Rutgers University Press,  |c [2014] 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2015 
264 4 |c ©[2014] 
300 |a 1 online resource (224 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
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505 0 |a Introduction: Horror on the home front -- Rebecca meets the Wolfman at RKO: the emergence of the female monster cycle, 1942-1943 -- Series, sequels and double bills: the evolution of the female monster cycle, 1943-1944 -- "A" class monsters: the escalation into prestige productions, 1944-1945 -- From whatdunit to whodunit: the postwar psychologization of horror, 1945-1946 -- Conclusion: Only for the duration. 
520 |a Defying industry logic and gender expectations, women started flocking to see horror films in the early 1940s. The departure of the young male audience and the surprise success of the film Cat People convinced studios that there was an untapped female audience for horror movies, and they adjusted their production and marketing strategies accordingly. Phantom Ladies reveals the untold story of how the Hollywood horror film changed dramatically in the early 1940s, including both female heroines and female monsters while incorporating elements of "women's genres" like the gothic mystery. Drawing from a wealth of newly unearthed archival material, from production records to audience surveys, Tim Snelson challenges long-held assumptions about gender and horror film viewership. Examining a wide range of classic horror movies, Snelson offers us a new appreciation of how dynamic this genre could be, as it underwent seismic shifts in a matter of months. Phantom Ladies, therefore, not only includes horror films made in the early 1940s, but also those produced immediately after the war ended, films in which the female monster was replaced by neurotic, psychotic, or hysterical women who could be cured and domesticated. Phantom Ladies is a spine-tingling, eye-opening read about gender and horror, and the complex relationship between industry and audiences in the classical Hollywood era 
588 |a Description based on print version record. 
650 7 |a Women in motion pictures.  |2 fast  |0 (OCoLC)fst01177931 
650 7 |a Sex role in motion pictures.  |2 fast  |0 (OCoLC)fst01114654 
650 7 |a Motion pictures and women.  |2 fast  |0 (OCoLC)fst01027425 
650 7 |a Horror films.  |2 fast  |0 (OCoLC)fst00960370 
650 7 |a PERFORMING ARTS  |x Film & Video  |x History & Criticism.  |2 bisacsh 
650 7 |a PERFORMING ARTS  |x Reference.  |2 bisacsh 
650 6 |a Femmes au cinema. 
650 6 |a Cinema et femmes. 
650 6 |a Rôle selon le sexe au cinema. 
650 6 |a Films d'horreur  |z États-Unis  |x Histoire et critique. 
650 0 |a Women in motion pictures. 
650 0 |a Motion pictures and women. 
650 0 |a Sex role in motion pictures. 
650 0 |a Horror films  |z United States  |x History and criticism. 
651 7 |a United States.  |2 fast  |0 (OCoLC)fst01204155 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/35574/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2015 Film, Theater and Performing Arts 
945 |a Project MUSE - 2015 Complete