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Kiss the Blood Off My Hands : On Classic Film Noir /
Consider the usual view of film noir: endless rainy nights populated by down-at-the-heel boxers, writers, and private eyes stumbling toward inescapable doom while stalked by crooked cops and cheating wives in a neon-lit urban jungle. But a new generation of writers is pushing aside the fog of cigare...
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| Format: | Electronic eBook |
| Language: | Inglés |
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Urbana :
University of Illinois Press,
[2014]
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| Series: | Book collections on Project MUSE.
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| Subjects: | |
| Online Access: | Texto completo |
Table of Contents:
- Introduction
- Independence unpunished: the female detective in classic film noir / Philippa Gates
- Women and film noir: Pulp fiction and the woman's picture / Julie Grossman
- The vanishing love song in film noir / Krin Gabbard
- Radio, film noir, and the aesthetics of auditory spectacle / Neil Verma
- Disney noir: "just drawn that way" / J.P. Telotte
- Detour: driving in a back projection, or forestalled by film noir / Vivian Sobchack
- Producing noir: Wald, Scott, Hellinger / Andrew Spicer
- Refuge England: blacklisted American directors and '50s British noir / Robert Murphy
- A little larceny: labor, leisure, and loyalty in the '50s noir heist film / Mark Osteen
- Periodizing classic noir: from Stranger on the third floor to the "thrillers of tomorrow" / Robert Miklitsch.