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Wagner Androgyne
That Wagner conceived of himself creatively as both man and woman is central to an understanding of his life and art. So argues Jean-Jacques Nattiez in this richly insightful work, where he draws from semiology, music criticism, and psychoanalysis to explore such topics as Wagner's theories of...
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
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Princeton :
Princeton University Press,
2014.
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Preface ; Note to the English Edition ; Bibliographical Note ; PART ONE. Androgyny and the Ring: From Theory to Practice ; INTRODUCTION TO PART ONE: Mythic Narrative, Theoretical Discourse; CHAPTER ONE ; The Theoretical Essays of 1849 to 1851; CHAPTER TWO ; Wieland the Smith; CHAPTER THREE ; The Ring as a Mythic Account of the History of Music; CHAPTER FOUR ; Art as a Metaphor of Itself; PART TWO. Music and Poetry: The Metamorphoses of Wagnerian Androgyny ; INTRODUCTION TO PART TWO ; CHAPTER FIVE ; Wagnerian Androgyny and Its Romantic Counterpart ; CHAPTER SIX.
- Musica Triumphans (1851-1873) CHAPTER SEVEN; The Return of Androgyny (1878-1883) ; CONCLUSION TO PART TWO; PART THREE. Wagner and Androgynous Hermeneutics ; CHAPTER EIGHT ; Psychoanalyzing Wagner; CHAPTER NINE ; Animus-Anima; CHAPTER TEN ; Androgynous Structuralism; CHAPTER ELEVEN ; Marxism, Feminism, and Romanticism; CHAPTER TWELVE; Deconstruction or Restoration of Meaning?; EPILOGUE; Interpreting Wagner in the Age of Doubt; Catalog of Wagner's Writings; Notes; References; Index.