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Divine Decadence : Fascism, Female Spectacle, and the Makings of Sally Bowles /

As femme fatale, cabaret siren, and icon of Camp, the Christopher Isherwood character Sally Bowles has become this century's darling of "divine decadence"--A measure of how much we are attracted by the fiction of the "shocking" British/American vamp in Weimar Berlin. Origina...

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Détails bibliographiques
Auteur principal: Mizejewski, Linda (Auteur)
Format: Électronique eBook
Langue:Inglés
Publié: Princeton, New Jersey : Princeton University Press, [1992]
Collection:Book collections on Project MUSE.
Sujets:
Accès en ligne:Texto completo
Table des matières:
  • Frontmatter
  • CONTENTS
  • LIST OF ILLUSTRATIONS AND CREDITS
  • ACKNOWLEDGMENTS
  • Chapter One. FANTASIES, FASCISM, FEMALE SPECTACLE
  • CHAPTER TWO. "Good Heter Stuff": Isherwood, Sally Bowles, and the Vision of Camp
  • CHAPTER THREE. The Cold War against Mummy: Van Druten's I Am a Camera
  • CHAPTER FOUR. Sally, Lola, and Painful Pleasures: The First On-Screen Sally Bowles
  • CHAPTER FIVE. (Nazi) Life Is a Cabaret: Sally Bowles and Broadway Musical
  • CHAPTER SIX. "Doesn't My Body Drive You Wild with Desire?": Fosse's Cabaret
  • EPILOGUE
  • BIBLIOGRAPHY
  • INDEX.