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Douglas Fairbanks and the American Century /

"Douglas Fairbanks and the American Century brings to life the most popular movie star of his day, the personification of the Golden Age of Hollywood. At his peak, in the teens and twenties, the swashbuckling adventurer embodied the new American Century of speed, opportunity, and aggressive opt...

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Detalles Bibliográficos
Autores principales: Tibbetts, John C. (Autor), Welsh, James M., 1938-2013 (Autor)
Otros Autores: Brownlow, Kevin (writer of foreword.)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Jackson [Mississippi] : University Press of Mississippi, [2014]
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Tibbetts, John C.,  |e author. 
245 1 0 |a Douglas Fairbanks and the American Century /   |c John C. Tibbetts and James M. Welsh ; foreword by Kevin Brownlow. 
264 1 |a Jackson [Mississippi] :  |b University Press of Mississippi,  |c [2014] 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2014 
264 4 |c ©[2014] 
300 |a 1 online resource (384 pages):   |b illustrations 
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505 0 |a Cover; Title; Copyright; Contents; A Personal Greeting; Foreword: A Fairbanks Memoir; Introduction: The Choreography of Hope; PART I. ODYSSEY OF A SPRING LAMB; Chapter 1. ""Windows Are the Only Doors"": The First Films (The Lamb, 1915, and Double Trouble, 1915); Chapter 2. ""The Leap to Greatness"": The Years at Triangle, Artcraft, United Artists, 1916-1919; Chapter 3. ""Arizona Jim"": The Fairbanks Westerns, 1916-1920; Chapter 4. ""Her Picture in the Papers"": Mary Pickford's ""Growing Girl"" 
505 0 |a Chapter 5. On an Odd Note: Say, Young Fellow! (1918), The Nut (1920), and When the Clouds Roll By (1919)PART II. THE IMPERIAL REACH -- Chapter 6. Prologue; Chapter 7. The Mark of Greatness: The Adventures of Señor Zorro; Chapter 8. A Dance of Free Men in the Forest: Robin Hood; Chapter 9. Architecture in Motion: The Thief of Bagdad; Chapter 10. A Painted Ship on a Painted Ocean: The Black Pirate; Chapter 11. Dumas, Douglas, and Delirium: Fairbanks and the Musketeers; Chapter 12. The Fall from Grace: The Gaucho; PART III. DOUG AND MARY FIND THEIR VOICES. 
505 0 |a Chapter 13. Coquette: Goodbye to the Glad GirlChapter 14. A Shrewd Adaptation: The Taming of the Shrew; PART IV. ARTISTS AND HUSBANDS; Chapter 15. Prologue; Chapter 16. Reaching for the Moon; Chapter 17. Around the World in Eighty Minutes; Chapter 18. Mr. Robinson Crusoe; Chapter 19. The Private Life of Don Juan; Epilogue; Afterword: The Makings of a Man 1880-1927; Appendix A. ""His Own Man"": Interviews with Douglas Fairbanks Jr.; Appendix B. On the Set of The Iron Mask (1929); Notes; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; Z. 
520 |a "Douglas Fairbanks and the American Century brings to life the most popular movie star of his day, the personification of the Golden Age of Hollywood. At his peak, in the teens and twenties, the swashbuckling adventurer embodied the new American Century of speed, opportunity, and aggressive optimism. The essays and interviews in this volume bring fresh perspectives to his life and work, including analyses of films never before examined. Also published here for the first time in English is a first-hand production account of the making of Fairbanks's last silent film, The Iron Mask. Fairbanks was the most vivid and strenuous exponent of the American Century, whose dominant mode after 1900 was the mass marketing of a burgeoning democratic optimism, at home and abroad. During those first decades of the twentieth century, his sairic comedy-adventures shadow-boxed with the illusions of class and custom. His characters managed to combine the American Easterner's experience and pretension and the Westerner's promise and expansion. As the masculine personification of the Old World aristocrat and the New World self-made man--tied to tradition yet emancipated from history--he constructed a uniquely American aristocrat striding into a new age and sensibility. This is the most compete account yet written of the film career of Douglas Fairbanks, one of the first great stars of the silent American cinema and one of the original United Artists (comprising Fairbanks, Mary Pickford, Charles Chaplin, and D.W. Griffith). John C. Tibbetts and James M. Welsh's text is especially rich in its coverage of the early years of the star's career from 1915 to 1920 and covers in detail several films previously considered lost"--  |c Provided by publisher 
588 |a Description based on print version record. 
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600 1 0 |a Fairbanks, Douglas,  |d 1883-1939  |x Criticism and interpretation. 
650 7 |a BIOGRAPHY & AUTOBIOGRAPHY  |x Entertainment & Performing Arts.  |2 bisacsh 
650 7 |a PERFORMING ARTS  |x Film & Video  |x History & Criticism.  |2 bisacsh 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a Electronic books.   |2 local 
700 1 |a Brownlow, Kevin,  |e writer of foreword. 
700 1 |a Welsh, James M.,  |d 1938-2013,  |e author. 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/33982/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2014 Film, Theater and Performing Arts 
945 |a Project MUSE - 2014 Complete