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Theory of Film Practice /
This classic in film theory, presents a systematic study of the techniques of the film medium and of their potential uses for creating formal structures in individual films such as Dovzhenko's Earth, Antonioni's La Notte, Bresson's Au Hasard Balthazar, Renoir's Nana, and Godard&#...
| Auteur principal: | |
|---|---|
| Format: | Électronique eBook |
| Langue: | Inglés Francés |
| Publié: |
Princeton, New Jersey :
Princeton University Press,
[1981]
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| Collection: | Book collections on Project MUSE.
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| Sujets: | |
| Accès en ligne: | Texto completo |
MARC
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| 020 | |a 9781400853366 | ||
| 020 | |z 9780691642673 | ||
| 020 | |z 9780691039626 | ||
| 020 | |z 9780691615141 | ||
| 020 | |z 9780691003290 | ||
| 035 | |a (OCoLC)889249317 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 041 | 1 | |a eng |h fre | |
| 100 | 1 | |a Burch, Noël, |d 1932- |e author. | |
| 240 | 1 | 0 | |a Praxis du cinema. |l English |
| 245 | 1 | 0 | |a Theory of Film Practice / |c Noël Burch ; translated by Helen R. Lane. |
| 264 | 1 | |a Princeton, New Jersey : |b Princeton University Press, |c [1981] | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2015 | |
| 264 | 4 | |c ©[1981] | |
| 300 | |a 1 online resource (188 pages): |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Princeton legacy library | |
| 500 | |a Translation of: Praxis du cinema. | ||
| 505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Foreword -- |t I. Basic Elements -- |t II. Dialectics -- |t III. Perturbing Factors -- |t IV. Reflections on the Film Subject -- |t Index. |
| 520 | |a This classic in film theory, presents a systematic study of the techniques of the film medium and of their potential uses for creating formal structures in individual films such as Dovzhenko's Earth, Antonioni's La Notte, Bresson's Au Hasard Balthazar, Renoir's Nana, and Godard's Pierrot le Fou. Originally published in 1981. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. | ||
| 546 | |a In English. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Motion pictures |x Philosophy. |2 fast |0 (OCoLC)fst01027348 | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 0 | |a Motion pictures |x Philosophy. | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/33346/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - Archive Complete Supplement III | ||
| 945 | |a Project MUSE - Archive Film, Theater and Performing Arts Supplement III | ||