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Theorizing Art Cinemas : Foreign, Cult, Avant-Garde, and Beyond /
He term "art cinema" has been applied to many cinematic projects, including the film d'art movement, the postwar avant-gardes, various Asian new waves, the New Hollywood, and American indie films, but until now no one has actually defined what "art cinema" is. Turning the tr...
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| Format: | Electronic eBook |
| Language: | Inglés |
| Published: |
Austin :
University of Texas Press,
2013.
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| Edition: | First edition. |
| Series: | Book collections on Project MUSE.
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| Subjects: | |
| Online Access: | Texto completo |
Table of Contents:
- Introduction: correcting art cinema's partial vision
- pt. 1. art, auteurism, and the world
- art as genre as canon: defining "art cinema"
- no start, no end: auteurism and the auteur theory
- from "foreign films" to "world cinema"
- pt. 2. formats and fetishes
- recovery and legitimation in the traditional art film
- losing the asterisk: a theory of cult-art cinema
- revisiting "the two avant-gardes"
- sucking the mainstream: a theory of mainstream art cinema
- pt. 3. institutions and distributions
- re-integrating stardom (... or technology or reception or ...)
- art cinema as institution, redux: art houses, film festivals, and film studies
- art cinema, the distribution theory
- epilogue. beyond, before cinephilia.