Third Hand : Collaboration in Art from Conceptualism to Postmodernism /

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Since the 1960s, a number of artists have challenged the dominant paradigm of art-that of the lone artist-by embarking on long-term collaborations that dramatically altered the terms of artistic identity. In The Third Hand, Charles Green offers a sustained critical examination of collaboration in in...

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Bibliographic Details
Main Author: Green, Charles, 1953- (Author)
Format: Electronic eBook
Language:Inglés
Published: Minneapolis : University of Minnesota Press, 2001.
Series:Book collections on Project MUSE.
Subjects:
Artiste.
Couple.
Postmodernisme (Art)
Art conceptuel.
Collaboration artistique.
Postmodernisme.
Modernisme (art)
Couples d'artistes > Cas, Études de.
Paar
Künstler
Kooperation
Postmoderne
Kunst
Postmodernism.
Modernism (Art)
Conceptual art.
Artistic collaboration.
Artist couples.
ART > General.
Conceptual.
Couples d'artistes > Études de cas.
Collaboration artistique > Études de cas.
Modernisme (Art)
Collaboration artistique > Cas, Études de.
Artist couples > Case studies.
Artistic collaboration > Case studies.
Case studies.
Electronic books.
Online Access:Texto completo
Table of Contents:
  • Art by long distance: Joseph Kosuth
  • Conceptual bureaucracy: Ian Burn, Mel Ramsden, and art and language
  • Memory, ruins, and archives: Boyle family
  • Memory storage: Anne and Patrick Poirier
  • Memory and ethics: Helen Mayer Harrison and Newton Harrison
  • Negotiated identity: Christo and Jeanne-Claude
  • Eliminating personality: Gilbert and George
  • Missing in action: Marina Abramović and Ullay
  • Doubles, Doppelgängers, and the third hand.

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