Masking And Power : Carnival And Popular Culture In The Caribbean /

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Focusing on masking as a socially significant practice in Caribbean cultures, Gerard Aching's analysis articulates masking, mimicry, and misrecognition as a means of describing and interrogating strategies of visibility and invisibility in Cuba, Trinidad and Tobago, Martinique, and beyond.

Detalles Bibliográficos
Autor principal: Aching, Gerard
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Minneapolis : University of Minnesota Press, 2002.
Colección:Book collections on Project MUSE.
Temas:
Social conditions
Popular culture.
Masquerades.
Carnival.
SOCIAL SCIENCE > Customs & Traditions.
Culture populaire > Caraïbes (Region)
Mascarades > Caraïbes (Region)
Carnavals > Caraïbes (Region)
Popular culture > Caribbean Area.
Masquerades > Caribbean Area.
Carnival > Caribbean Area.
Caribbean Area.
Caraïbes (Region) > Conditions sociales.
Caribbean Area > Social conditions.
Electronic books.
Acceso en línea:Texto completo

MARC

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035 |a (OCoLC)560187318 
040 |a MdBmJHUP  |c MdBmJHUP 
100 1 |a Aching, Gerard. 
245 1 0 |a Masking And Power :   |b Carnival And Popular Culture In The Caribbean /   |c Gerard Aching. 
264 1 |a Minneapolis :  |b University of Minnesota Press,  |c 2002. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2015 
264 4 |c ©2002. 
300 |a 1 online resource (192 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Cultural studies of the Americas ;  |v v. 8 
505 0 |a Acknowledgments; Introduction: Masking, Misrecognition, Mimicry; PART I: Undisguised Masking; ONE: Dispossession, Nonpossession, and Self-Possession: Postindependence Masking in Lovelace's The Dragon Can't Dance; TWO: The New Visibilities: Middle-Class Cosmopolitanism in the Street; PART II: Masking through Language; THREE: Specularity and the Language of Corpulence: Estrella's Body in Cabrera Infante's Tres tristes tigres; FOUR: Turning a Blind Eye in the Name of the Law: Cultural Alienation in Chamoiseau's Solibo Magnifique; Notes; Works Cited; Index; A; B; C; D; E; F; G; H; I; J. 
520 |a Focusing on masking as a socially significant practice in Caribbean cultures, Gerard Aching's analysis articulates masking, mimicry, and misrecognition as a means of describing and interrogating strategies of visibility and invisibility in Cuba, Trinidad and Tobago, Martinique, and beyond. 
588 |a Description based on print version record. 
650 7 |a Social conditions  |2 fast  |0 (OCoLC)fst01919811 
650 7 |a Popular culture.  |2 fast  |0 (OCoLC)fst01071344 
650 7 |a Masquerades.  |2 fast  |0 (OCoLC)fst01011181 
650 7 |a Carnival.  |2 fast  |0 (OCoLC)fst00847651 
650 7 |a SOCIAL SCIENCE  |x Customs & Traditions.  |2 bisacsh 
650 6 |a Culture populaire  |z Caraïbes (Region) 
650 6 |a Mascarades  |z Caraïbes (Region) 
650 6 |a Carnavals  |z Caraïbes (Region) 
650 0 |a Popular culture  |z Caribbean Area. 
650 0 |a Masquerades  |z Caribbean Area. 
650 0 |a Carnival  |z Caribbean Area. 
651 7 |a Caribbean Area.  |2 fast  |0 (OCoLC)fst01244080 
651 6 |a Caraïbes (Region)  |x Conditions sociales. 
651 0 |a Caribbean Area  |x Social conditions. 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/32051/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - Archive Complete Supplement III 
945 |a Project MUSE - Archive Global Cultural Studies Supplement III 

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