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Hollywood Independents : The Postwar Talent Takeover /
Hollywood Independents explores the crucial period from 1948 to 1962 when independent film producers first became key components of the modern corporate entertainment industry. Denise Mann examines the impact of the radically changed filmmaking climatethe decline of the studios, the rise of televisi...
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Minneapolis :
University of Minnesota Press,
2008.
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 020 | |a 9780816653744 | ||
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| 020 | |z 0816653747 | ||
| 035 | |a (OCoLC)228859241 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Mann, Denise. | |
| 245 | 1 | 0 | |a Hollywood Independents : |b The Postwar Talent Takeover / |c Denise Mann. |
| 264 | 1 | |a Minneapolis : |b University of Minnesota Press, |c 2008. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2015 | |
| 264 | 4 | |c ©2008. | |
| 300 | |a 1 online resource (344 pages): |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Commerce and mass culture series | |
| 505 | 0 | |a Charting a path of independence in a corporate wilderness -- Backstage dramas : MCA and the talent takeover -- The gray flannel independent : new Hollywood's new organization man -- Self-referentiality : mediating TV's incursion into Hollywood and the home -- Two emergent cinemas : art and blockbuster -- Elia Kazan : caught between HUAC and the "new Hollywood" -- A face in the crowd : reframing reflexivity -- When talent becomes management : the making of The sweet smell of success -- Sweet smell of success : punishing privileges of the professional-managerial class. | |
| 520 | |a Hollywood Independents explores the crucial period from 1948 to 1962 when independent film producers first became key components of the modern corporate entertainment industry. Denise Mann examines the impact of the radically changed filmmaking climatethe decline of the studios, the rise of television, and the rise of potent talent agencies like MCAon a group of prominent talent-turned-producers, including Burt Lancaster, Joseph Mankiewicz, Elia Kazan, and Billy Wilder. In order to show how these newly independent filmmakers negotiated through an increasingly fraught, reactionary creative at. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Motion pictures. |2 fast |0 (OCoLC)fst01027285 | |
| 650 | 7 | |a Motion picture industry. |2 fast |0 (OCoLC)fst01027150 | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a TECHNOLOGY & ENGINEERING |x Telecommunications. |2 bisacsh | |
| 650 | 7 | |a BUSINESS & ECONOMICS |x Industries |x Media & Communications. |2 bisacsh | |
| 650 | 6 | |a Cinema |z États-Unis |x Histoire. | |
| 650 | 6 | |a Cinema |x Industrie |z Californie |z Los Angeles |x Histoire. | |
| 650 | 0 | |a Motion pictures |z United States |x History. | |
| 650 | 0 | |a Motion picture industry |z California |z Los Angeles |x History. | |
| 651 | 7 | |a United States. |2 fast |0 (OCoLC)fst01204155 | |
| 651 | 7 | |a California |z Los Angeles. |2 fast |0 (OCoLC)fst01204540 | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/31867/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - Archive Complete Supplement III | ||
| 945 | |a Project MUSE - Archive Film, Theater and Performing Arts Supplement III | ||