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090210s2009 mnu o 00 0 eng d |
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|z 2009005236
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|a 9780816668069
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|z 9780816654819
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|z 081666806X
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|a (OCoLC)527756110
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|a MdBmJHUP
|c MdBmJHUP
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|a Kobialka, Michal.
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|a Further on, Nothing :
|b Tadeusz Kantor's Theatre /
|c Michal Kobialka.
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|a University of Minnesota Press :
|b Minneapolis,
|c 2009.
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|a Baltimore, Md. :
|b Project MUSE,
|c 2015
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|c ©2009.
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|a 1 online resource (496 pages).
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
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|a My work-my journey (1988) -- Topography of representation. Independent theatre : theoretical essays (1942-1944) -- After the war : a night notebook or metamorphoses (1947-1948) -- Cricot 2 Theatre (about 1963) -- Reality of the lowest rank (1980) -- The autonomous theatre (1956/1963) -- The litany of the informel art (1955) -- The informel : terms and definitions -- The informel theatre (1961) -- The zero theatre (1963) -- The emballage (1957-1965) -- The "i" theatre (about 1969) -- The impossible theatre (1969-1973) -- 1955-1974 -- Spatial historiography: The dead class. A classroom (1971 or 1972) -- The theatre of death (1975) -- The dead class : selections from the Partytura (1974) -- Theatre of similitude. Theatrical place (1970s-1980s) -- The room : maybe a new phase (1980) -- Etudes-sketches of a scenario -- "The last supper" sequence of rehearsals -- Prison (1985) -- Reflection (1985) -- To save from oblivion (March 1988) -- The real "I" (1988) -- Illusion -- Illusion and repetition -- My meetings with death (1987) -- Memory (1988) -- Spatial historiography: Silent night. A short history of my life -- Silent night (Cricotage) (1990) -- Silent night-Partytura (Cricotage) (1990) -- The space of khora. My room (1990) -- A painting (1990) -- From the beginning my credo was-- (1990).
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|a Tadeusz Kantor (1915-1990) was one of the twentieth century's most innovative visual artists, stage directors, and theoreticians. His theatre productions and manifestos challenged the conventions of creating art in post-World War II culture and expanded the boundaries of Dada, surrealist, Constructivist, and happening theatre forms. Kantor's most widely known productions--The Dead Class (1975), Wielopole, Wielopole (1980), Let the Artists Die (1985), and Today Is My Birthday (1990)--have had a profound impact on playwrights and artists who continue today to engage with his radical theatre. In Fur.
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|a English.
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|a Description based on print version record.
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|a Kantor, Tadeusz,
|d 1915-1990.
|2 fast
|0 (OCoLC)fst00015797
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|a Kantor, Tadeusz,
|d 1915-1990.
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|a Theatrical producers and directors.
|2 fast
|0 (OCoLC)fst01149443
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|a Experimental theater.
|2 fast
|0 (OCoLC)fst00918508
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|a DRAMA
|x European
|x General.
|2 bisacsh
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|a PERFORMING ARTS
|x Theater
|x Direction & Production.
|2 bisacsh
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|a Producteurs et metteurs en scene de theâtre
|z Pologne
|v Biographies.
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|a Experimental theater
|z Poland.
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|a Theatrical producers and directors
|z Poland
|v Biography.
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|a Poland.
|2 fast
|0 (OCoLC)fst01206891
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655 |
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|a Biographies.
|2 fast
|0 (OCoLC)fst01919896
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|a Electronic book.
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|a Electronic books.
|2 local
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|a Project Muse.
|e distributor
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|a Book collections on Project MUSE.
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|z Texto completo
|u https://projectmuse.uam.elogim.com/book/31864/
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|a Project MUSE - Custom Collection
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|a Project MUSE - Archive Complete Supplement III
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|a Project MUSE - Archive Film, Theater and Performing Arts Supplement III
|