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Cuban Cinema /

Michael Chanan provides a comprehensive and absorbing account of Cuban cinema both before and after the revolution, deftly setting individual films and filmmakers within the larger framework of Cubas social, political, and cultural history. The only book-length study of Cuban cinema written in Engli...

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Detalles Bibliográficos
Autor principal: Chanan, Michael
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Minneapolis : University of Minnesota Press, 2003.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Chanan, Michael. 
240 1 0 |a Cuban image 
245 1 0 |a Cuban Cinema /   |c Michael Chanan. 
264 1 |a Minneapolis :  |b University of Minnesota Press,  |c 2003. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2015 
264 4 |c ©2003. 
300 |a 1 online resource (560 pages):   |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Cultural studies of the Americas ;  |v 14 
500 |a Originally published: The Cuban image. London : British Film Institute; Bloomington, Ind. : Indiana University Press, 1985. 
505 0 |a pt. I. Before the Revolution: cinema at the margins ; 1. For the first time ; 2. Back to the beginning ; 3. The nineteenth-century heritage ; 4. Melodrama and white horses ; 5. Amateurs and militants -- pt. II. The Revolution takes power: a cinema of euphoria ; 6. The coming of socialism ; 7. The first feature films ; 8. Beyond neorealism ; 9. The documentary in the Revolution ; 10. The Revolution in the documentary ; 11. The current of experimentalism ; 12. Four films ; 13. Imperfect cinema and the seventies ; 14. One way or another -- pt. III. New generations: a cinema of readjustment ; 15. Reconnecting ; 16. Return of the popular ; 17. Wonderland. 
520 |a Michael Chanan provides a comprehensive and absorbing account of Cuban cinema both before and after the revolution, deftly setting individual films and filmmakers within the larger framework of Cubas social, political, and cultural history. The only book-length study of Cuban cinema written in English, this indispensable work offers a unique perspective on the Cuban experience in the twentieth century. 
588 |a Description based on print version record. 
650 1 7 |a Filmkunst.  |2 gtt 
650 7 |a Motion pictures  |x Social aspects.  |2 fast  |0 (OCoLC)fst01027384 
650 7 |a Motion pictures.  |2 fast  |0 (OCoLC)fst01027285 
650 7 |a HISTORY  |z Latin America  |x General.  |2 bisacsh 
650 7 |a PERFORMING ARTS  |x Film & Video  |x Reference.  |2 bisacsh 
650 6 |a Cinema  |x Aspect social  |z Cuba. 
650 6 |a Cinema  |z Cuba  |x Histoire. 
650 0 |a Motion pictures  |x Social aspects  |z Cuba. 
650 0 |a Motion pictures  |z Cuba  |x History. 
651 7 |a Cuba.  |2 fast  |0 (OCoLC)fst01205805 
655 7 |a History  |2 fast  |0 (OCoLC)fst01411628 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/31691/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - Archive Complete Supplement III 
945 |a Project MUSE - Archive Latin American and Caribbean Studies Supplement II 
945 |a Project MUSE - Archive Film, Theater and Performing Arts Supplement III