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Deterritorializing the New German Cinema

Between 1961 and 1989, the New German Cinema came into being, the product of the diverse efforts of West German politicians, West German filmmakers, and foreignchiefly Americanfilm enthusiasts. This book takes the story of the New German Cinema beyond its strictly German context to show its relation...

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Detalles Bibliográficos
Autor principal: Davidson, John E.
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Minneapolis : University of Minnesota Press, 1999.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Deterritorializing the New German Cinema 
264 1 |a Minneapolis :  |b University of Minnesota Press,  |c 1999. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2015 
264 4 |c ©1999. 
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505 0 |a Preface; Introduction; 1 Conceiving, Producing, and Remembering the New German Cinema; 2 Resettling the West: Of Familial Spats and Spots, and the End of the Road Movie; 3 Railing against Convention, or Camping Out in Mongolia: The Performative Displacements of Ulrike Ottinger's Johanna D'Arc Mongolia; Epilogue: Beyond the New German Cinema?; Notes; Index. 
520 |a Between 1961 and 1989, the New German Cinema came into being, the product of the diverse efforts of West German politicians, West German filmmakers, and foreignchiefly Americanfilm enthusiasts. This book takes the story of the New German Cinema beyond its strictly German context to show its relation to the international constellations of the Cold War and postcolonial politics. 
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