Documentary Time : Film and Phenomenology /

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Finding the theoretical space where cinema and philosophy meet, Malin Wahlberg's sophisticated approach to the experience of documentary film aligns with attempts to reconsider the premises of existential phenomenology. Wahlberg discusses a corpus of clas.

Détails bibliographiques
Auteur principal: Wahlberg, Malin
Format: Électronique eBook
Langue:Inglés
Publié: Minneapolis : University of Minnesota Press, 2008.
Collection:Book collections on Project MUSE.
Sujets:
Time in motion pictures.
Documentary films.
PERFORMING ARTS > Film & Video > History & Criticism.
LANGUAGE ARTS & DISCIPLINES > Journalism.
Temps au cinema.
Documentary films > History and criticism.
Criticism, interpretation, etc.
Electronic books.
Accès en ligne:Texto completo
Table des matières:
  • Acknowledgments; Introduction; Part I: Framing Change, Invoking the Moment; 1 The Phenomenology of Image and Time; 2 The Time-Image and the Trace; 3 Frame-Breaking Events and Motifs beyond Representation; Part II: Experimental Figures of Time; 4 The Interval and Pulse Beat of Rhythm; 5 Screen Events of Velocity and Duration; 6 Telling Signs of Loss: Beginnings of Possible Stories; 7 The Trace in Contemporary Media; Documentary Time: An Afterword; Notes; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; Z.

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