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musev2_31561 |
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MdBmJHUP |
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20230905043332.0 |
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m o d |
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100509s1932 mnu o 00 0 eng d |
020 |
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|a 9781452937779
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|z 9780816671458
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|z 145293777X
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035 |
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|a (OCoLC)613156521
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040 |
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|a MdBmJHUP
|c MdBmJHUP
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100 |
1 |
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|a Firkins, Oscar W.,
|d 1864-1932.
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245 |
1 |
4 |
|a The Bride of Quietness and Other Plays /
|c [by] Oscar W. Firkins.
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264 |
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1 |
|a Minneapolis,
|b University of Minnesota Press
|c [1932]
|
264 |
|
3 |
|a Baltimore, Md. :
|b Project MUSE,
|c 2015
|
264 |
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4 |
|c ©[1932]
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300 |
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|a 1 online resource (250 pages).
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336 |
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|a text
|b txt
|2 rdacontent
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337 |
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|a computer
|b c
|2 rdamedia
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338 |
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|a online resource
|b cr
|2 rdacarrier
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505 |
0 |
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|a The bride of quietness.--Turnpikes in Arcady.--Empurpled moors.--The king's vigil.
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520 |
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|a Oscar Firkins' books, posthumously published, are finding what the author, during his reclusive life, never looked for - popularity, that wide appeal which is evinced in the demand for a second edition of this book of plays and the friendly reception that has resulted in putting both his plays and the more recently published Memoirs and Letters on "bestseller" lists. John Keats, in a London twilight finds himself one wit the immortal figures of his Ode on a Grecian Urn. That timelessness of beauty to which he gave serene expression in his famous ode is the theme of The Bride of Quietness, the
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588 |
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|a Description based on print version record.
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650 |
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7 |
|a American drama.
|2 fast
|0 (OCoLC)fst00806998
|
650 |
|
7 |
|a DRAMA
|x American
|x General.
|2 bisacsh
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650 |
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6 |
|a Theâtre americain.
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650 |
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0 |
|a American drama.
|
655 |
|
7 |
|a Electronic books.
|2 local
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740 |
0 |
2 |
|a King's vigil.
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740 |
0 |
2 |
|a Empurpled moors.
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740 |
0 |
2 |
|a Turnpikes in Arcady.
|
710 |
2 |
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|a Project Muse.
|e distributor
|
830 |
|
0 |
|a Book collections on Project MUSE.
|
856 |
4 |
0 |
|z Texto completo
|u https://projectmuse.uam.elogim.com/book/31561/
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945 |
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|a Project MUSE - Custom Collection
|
945 |
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|a Project MUSE - Archive Complete Supplement III
|
945 |
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|a Project MUSE - Archive Literature Supplement III
|