The American Musical and the Performance of Personal Identity /

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The American musical has long provided an important vehicle through which writers, performers, and audiences reimagine who they are and how they might best interact with the world around them. Musicals are especially good at this because they provide not only an opportunity for us to enact dramatic...

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Détails bibliographiques
Auteur principal: Knapp, Raymond
Format: Électronique eBook
Langue:Inglés
Publié: Princeton, N.J. : Princeton University Press, 2009.
Collection:Book collections on Project MUSE.
Sujets:
Personality and culture
Musicals
Motion pictures
Musical films.
MUSIC > Genres & Styles > Musicals.
Films musicaux > États-Unis > Histoire et critique.
Personnalite et culture.
Comedies musicales > États-Unis > Histoire et critique.
Musical films > United States > History and criticism.
Personality and culture.
Musicals > Social aspects > United States.
Musicals > United States > History and criticism.
United States
History.
Criticism, interpretation, etc.
Electronic books.
Accès en ligne:Texto completo
Table des matières:
  • Personal genres. The Viennese connection : Franz Lehár and American operetta (The merry widow (1907). Naughty Marietta (1910). Little Mary Sunshine (1959). A little night music (1973))
  • The movie musical (Singin' in the rain (film, 1952). Stormy weather (film, 1943) and Bamboozled (film, 2000). Meet me in St. Louis (film, 1944). Moulin Rouge (film, 2001) and Chicago (film, 2002)).

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