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Carnations : Poems /

In Anthony Carelli's remarkable debut, Carnations, the poems attempt to reanimate dead metaphors as blossoms: wild and lovely but also fleeting, mortal, and averse to the touch. Here, the poems are carnations, not only flowers, but also body-making words. Nodding to influences as varied as Geor...

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Detalles Bibliográficos
Autor principal: Carelli, Anthony, 1979-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Princeton : Princeton University Press, 2011.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Carnations :   |b Poems /   |c Anthony Carelli. 
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264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2015 
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490 0 |a Princeton series of contemporary poets 
505 0 |a Cover; Title; Copyright; Contents; The Sabbath; Glass Work Song; The Prophets; The Muse; The Crusades; The Builder; The Collar; The Apostles; Discernment; The Chance; In Ordinary Time; October Advent; The Begats; The Shepherd; Lectio Divina; The Hours; Agnus Dei; The Brooklyn Heavens; Evangelical; Birthday; Sermon; Original Sin; Faith; Incarnation; No, Euripides; Yahweh; Apples for Thoreau; Jerusalem; The Crucifixion; The Lord's Prayer; The Disciples; Sure; Amen. 
520 |a In Anthony Carelli's remarkable debut, Carnations, the poems attempt to reanimate dead metaphors as blossoms: wild and lovely but also fleeting, mortal, and averse to the touch. Here, the poems are carnations, not only flowers, but also body-making words. Nodding to influences as varied as George Herbert, Francis Ponge, Fernando Pessoa, and D.H. Lawrence, Carelli asserts that the poet's materials--words, objects, phenomena--are sacred, wilting in the moment, yet perennially renewed. Often taking titles from a biblical vocabulary, Carnations reminds us that unremarkable places and events--a ga. 
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