Reds, Whites, and Blues : Social Movements, Folk Music, and Race in the United States /

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Music, and folk music in particular, is often embraced as a form of political expression, a vehicle for bridging or reinforcing social boundaries, and a valuable tool for movements reconfiguring the social landscape. Reds, Whites, and Blues examines the political force of folk music, not through the...

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Détails bibliographiques
Auteur principal: Roy, William G., 1946- (Auteur)
Format: Électronique eBook
Langue:Inglés
Publié: Princeton : Princeton University Press, 2010.
Collection:Book collections on Project MUSE.
Sujets:
Social movements
Music and race
SOCIAL SCIENCE > Sociology > General.
SOCIAL SCIENCE > Popular Culture.
POLITICAL SCIENCE > Public Policy > Cultural Policy.
SOCIAL SCIENCE > Anthropology > Cultural.
Musique et race > États-Unis > Histoire > 20e siecle.
Mouvements sociaux > États-Unis > Histoire > 20e siecle.
Music and race > United States > History > 20th century.
Social movements > United States > History > 20th century.
Folk music > Political aspects > United States > History > 20th century.
United States
History.
Electronic books.
Accès en ligne:Texto completo
Table des matières:
  • Social movements, music, and race
  • Music and boundaries : race and folk
  • The original folk project
  • White and black reds : building an infrastructure
  • Movement entrepreneurs and activists
  • Organizing music : the fruits of entrepreneurship
  • The Highlander School
  • Music at the heart of the quintessential social movement
  • A movement splintered
  • How social movements do culture.

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