Catching the Torch : Contemporary Canadian Literary Responses to World War I /

Afficher d'autres versions (1)

Introduction: Contemporary Canadian First World War Narratives: Remembering Canada's Best Self -- Chapter One: The Dead Speak: Considering the Use of Prosopopoeia in Dancock's Dance, Mary's Wedding, and The Deep -- Chapter Two: The War and Concepts of Nation in Jack Hodgins's Bro...

Description complète

Détails bibliographiques
Auteur principal: Gordon, Neta, 1971- (Auteur)
Format: Électronique eBook
Langue:Inglés
Publié: Waterloo, Ontario, Canada : Wilfrid Laurier University Press, [2014]
Collection:Book collections on Project MUSE.
Sujets:
War and literature.
War in literature
LITERARY CRITICISM > American > General.
Guerre dans la litterature.
Guerre mondiale, 1914-1918 > Litterature et guerre.
Litterature canadienne-anglaise > 21e siecle > Histoire et critique.
Litterature canadienne-anglaise > 20e siecle > Histoire et critique.
Canadian literature (English) > 21st century > History and criticism.
Canadian literature (English) > 20th century > History and criticism.
Canadian literature > 21st century > History and criticism.
War in literature.
World War, 1914-1918 > Literature and the war.
Electronic books.
Accès en ligne:Texto completo
Table des matières:
  • Introduction Contemporary Canadian First World War Narratives: Remembering Canada's Best Self
  • Chapter One The Dead Speak: Considering the Use of Prosopopoeia in Dancock's Dance, Mary's Wedding, and The Deep
  • Chapter Two The War and Concepts of Nation in Jack Hodgins's Broken Ground and Frances Itani's Deafening
  • Chapter Three Abandoning the Archivist: Commemorating the War Insider and Outsider in the First World War Novels of Alan Cumyn and Jane Urquhart
  • Chapter Four Other Canadians: The Representation of Alternative Versions of the Canadian War in Vimy, Unity (1918), Three Day Road, and A Secret Between Us
  • Conclusion Representations of the First World War and Wishing.

Documents similaires