Postmodernism, Traditional Cultural Forms, and African American Narratives /
"Examines how six writers reconfigure African American subjectivity in ways that recall postmodernist theory"--Provided by publisher
| Autor principal: | |
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Albany :
State University of New York Press,
[2013]
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Postmodernism, traditional cultural forms, and African American subjectivity
- Multiple representations of Philadelphia and John Edgar Wideman's Philadelphia fire
- The trickster, African American virtual subject and Percival Everett's erasure
- Using jazz music and aesthetics to re-describe the African American in Toni Morrison's jazz
- Revolting to sustain psychic life: Bonnie Greer's hanging by her teeth and the encounter with the other
- Virtual-actual reality and Clarence Major's reflex and bone structure
- The Jungian/African collective unconscious, jazz aesthetics, and Xam Cartier's Muse-echo blues
- Conclusion.


