The Creolization of American Culture : William Sidney Mount and the Roots of Blackface Minstrelsy /

Mostrar otras versiones (2)

This work examines the artworks, letters, sketchbooks, music collection, and biography of the painter William Sidney Mount (1807-1868) as a lens through which to see the multi-ethnic antebellum world that gave birth to blackface minstrelsy.

Detalles Bibliográficos
Autor principal: Smith, Christopher J. (Christopher John), 1959-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Urbana : University of Illinois Press, [2013]
Colección:Book collections on Project MUSE.
Temas:
Mount, William Sidney, > 1807-1868.
Minstrel shows.
Minstrel music.
Blackface entertainers.
SOCIAL SCIENCE > Ethnic Studies > African American Studies.
MUSIC > Instruction & Study > Theory.
Blackface (Artistes du spectacle) > États-Unis.
Spectacles de menestrels (Theâtre americain) > États-Unis > Histoire.
Musique de menestrels (Theâtre americain) > États-Unis > Histoire et critique.
Blackface entertainers > United States.
Minstrel shows > United States > History.
Minstrel music > United States > History and criticism.
United States.
History.
Criticism, interpretation, etc.
Electronic books.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Recovering the creole synthesis : the roots of blackface minstrelsy
  • The creole synthesis in the new world : cultures in contact
  • Long Island and the Lower East Side : Mount's background, youth, and apprenticeships
  • Minstrelsy's material culture : the evidence of Mount's portraiture
  • Melody's polyrhythmic polysemic possibilities : the bodily evidence of Mount's music
  • Akimbo culture : dance and the participatory pleasures of the body
  • Conclusion : the Creole synthesis in American culture.

Ejemplares similares