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Late Godard and the Possibilities of Cinema

With Late Godard and the Possibilities of Cinema, Daniel Morgan makes a significant contribution to scholarship on Jean-Luc Godard, especially his films and videos since the late 1980s, some of the most notoriously difficult works in contemporary cinema. Through detailed analyses of extended sequenc...

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Detalles Bibliográficos
Autor principal: Morgan, Daniel, 1977-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: University of California Press 2012.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Morgan, Daniel,  |d 1977- 
245 1 0 |a Late Godard and the Possibilities of Cinema 
264 1 |b University of California Press  |c 2012. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2014 
264 4 |c ©2012. 
300 |a 1 online resource (326 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
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505 0 |a Introduction -- The work of aesthetics -- Nature and its discontents -- Politics by other means -- Cinema without photography -- What projection does -- Cinema after the end of cinema (again). 
520 |a With Late Godard and the Possibilities of Cinema, Daniel Morgan makes a significant contribution to scholarship on Jean-Luc Godard, especially his films and videos since the late 1980s, some of the most notoriously difficult works in contemporary cinema. Through detailed analyses of extended sequences, technical innovations, and formal experiments, Morgan provides an original interpretation of a series of several internally related films--Soigne ta droite (Keep Your Right Up, 1987), Nouvelle vague (New Wave, 1990), and Allemagne 90 neuf zero (Germany 90 Nine Zero, 1991)--and the monumental late video work, Histoire(s) du cinema (1988-1998). Taking up a range of topics, including the role of nature and natural beauty, the relation between history and cinema, and the interactions between film and video, the book provides a distinctive account of the cinematic and intellectual ambitions of Godard's late work. At the same time, Late Godard and the Possibilities of Cinema provides a new direction for the fields of film and philosophy by drawing on the idealist and romantic tradition of philosophical aesthetics, which rarely finds an articulation within film studies. In using the tradition of aesthetics to illuminate Godard's late films and videos, Morgan shows that these works transform the basic terms and categories of aesthetics in and for the cinema. 
588 |a Description based on print version record. 
600 1 7 |a Godard, Jean-Luc,  |d 1930-  |2 fast  |0 (OCoLC)fst00035647 
600 1 0 |a Godard, Jean-Luc,  |d 1930-2022  |x Criticism and interpretation. 
650 7 |a Motion pictures  |x Aesthetics.  |2 fast  |0 (OCoLC)fst01027288 
650 7 |a PERFORMING ARTS  |x Film & Video  |x General.  |2 bisacsh 
650 6 |a Cinema  |x Esthetique. 
650 0 |a Motion pictures  |x Aesthetics. 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
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856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/26042/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2012 Film, Theater and Performing Arts Supplement 
945 |a Project MUSE - 2012 Complete Supplement II