Bartók, Hungary, and the Renewal of Tradition : Case Studies in the Intersection of Modernity and Nationality /

Afficher d'autres versions (1)

It is well known that Bela Bartok had an extraordinary ability to synthesize Western art music with the folk music of Eastern Europe. What this rich and beautifully written study makes clear is that, contrary to much prevailing thought about the great twentieth-century Hungarian composer, Bartok was...

Description complète

Détails bibliographiques
Auteur principal: Schneider, David E., 1963-
Format: Électronique eBook
Langue:Inglés
Publié: Berkeley : University of California Press, 2006.
Collection:Book collections on Project MUSE.
Sujets:
Bartók, Bela > 1881-1945 > Choräle > Sz 103 > Leánykerő
Bartók, Bela, > 1881-1945.
Bartók, Bela, > 1881-1945 > Critique et interpretation.
Bartók, Bela, > 1881-1945 > Criticism and interpretation.
Music.
Composers.
MUSIC > General.
MUSIC > Individual Composer & Musician.
Musique > Hongrie > 20e siecle > Histoire et critique.
Compositeurs > Hongrie > Biographies.
Music > Hungary > 20th century > History and criticism.
Composers > Hungary > Biography.
Hungary.
Biographies.
Criticism, interpretation, etc.
collective biographies.
Electronic books.
Accès en ligne:Texto completo
Table des matières:
  • Tradition rejected : Bartók's polemics and the nineteenth-century Hungarian musical inheritance
  • Tradition maintained : nationalism, verbunkos, Kossuth and the Rhapsody, op. 1
  • Tradition transformed : "The night's music" and the pastoral roots of a modern style
  • Tradition challenged : confronting Stravinsky
  • Tradition transcribed : the Rhapsody for violin no. 1, the politics of folk-music research and the artifice of authenticity
  • Tradition restored : the Violin concerto, verbunkos and Hungary on the eve of World War II.

Documents similaires