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Many writers in antebellum America sought to reinvent the Bible, but no one, Ilana Pardes argues, was as insistent as Melville on redefining biblical exegesis while doing so. In "Moby-Dick," he not only ventured to fashion a grand new inverted Bible in which biblical rebels and outcasts as...

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Détails bibliographiques
Auteur principal: Pardes, Ilana, 1966-
Format: Électronique eBook
Langue:Inglés
Publié: Berkeley : University of California Press, 2008.
Collection:Book collections on Project MUSE.
Sujets:
Melville, Herman, > 1819-1891.
Melville, Herman, > 1819-1891 > Religion.
Melville, Herman, > 1819-1891. > Moby Dick.
Moby Dick (Melville, Herman)
Bible.
Bible > Hermeneutique.
Bible > Commentaires.
Bible > Hermeneutics.
Bible > Commentaries.
Religion and literature.
Religion and culture.
Religion.
Hermeneutics.
Bible and literature.
American fiction.
LITERARY CRITICISM > Semiotics & Theory.
LITERARY CRITICISM > American > General.
Roman americain > 19e siecle > Histoire et critique.
Religion et litterature > États-Unis > Histoire > 19e siecle.
Religion et culture.
Bible et litterature.
American fiction > 19th century > History and criticism.
Religion and literature > United States > History > 19th century.
United States.
History.
Criticism, interpretation, etc.
Commentaries.
Electronic books.
Accès en ligne:Texto completo
Table des matières:
  • Introduction
  • Playing with Leviathan: Job and the aesthetic turn in biblical exegesis
  • "Jonah historically regarded": improvisations on Kitto's Cyclopedia of biblical literature
  • "Call me Ishmael": the BIble and the Orient
  • Ahab, idolatry, and the question of possession: biblical politics
  • Rachel's inconsolable cry: the rise of women's BIbles
  • Epilogue.

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