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The Virgin Mary and Catholic Identities in Chinese History /

How are Chinese Catholic identities expressed through images? In this cross-disciplinary study which engages with history, theology and art, Fr. Jeremy Clarke explores paintings and sculptures of the Virgin Mary and the communities that produced them over several centuries. He argues for the emergen...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Clarke, Jeremy, 1969- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Baltimore, Maryland : Project Muse, 2013.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Clarke, Jeremy,  |d 1969-  |e author. 
245 1 4 |a The Virgin Mary and Catholic Identities in Chinese History /   |c Jeremy Clarke. 
264 1 |a Baltimore, Maryland :  |b Project Muse,  |c 2013. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2013 
264 4 |c ©2013. 
300 |a 1 online resource (312 pages):   |b illustrations (some color), portraits. 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
500 |a Issued as part of book collections on Project MUSE. 
504 |a Includes bibliographical references (pages [249]-263) and index. 
505 0 |a Introduction : Chinese Catholic identities in the modern period -- Part 1. Images of Mary in China before 1842 -- 1. Chinese Christian art during the pre-modern period -- Part 2. The Chinese Catholic Church since 1842 -- 2. After the treaties -- 3. Our Lady of Donglu -- 4. The rise and fall of the French protectorate -- Part 3. Images of Mary in the early twentieth century -- 5. The Furen art department -- 6. The Chinese dimension to the Furen Christian art -- Conclusion -- Notes -- Bibliography -- Index. 
506 |a Access restricted to authorized users and institutions. 
520 |a How are Chinese Catholic identities expressed through images? In this cross-disciplinary study which engages with history, theology and art, Fr. Jeremy Clarke explores paintings and sculptures of the Virgin Mary and the communities that produced them over several centuries. He argues for the emergence of distinctly Chinese Catholic identities as artistic representations of the Virgin Mary sometime absorbed representations of such Chinese figures as Guanyin while at other times were diluted by Western influences following the influx of European missionaries. The book offers a new view of Cathol. 
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600 0 0 |a Mary,  |c Blessed Virgin, Saint  |v Art. 
650 0 |a Christian art and symbolism  |z China. 
610 2 0 |a Catholic Church  |z China  |x History. 
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945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2013 History 
945 |a Project MUSE - 2013 Asian and Pacific Studies 
945 |a Project MUSE - 2013 Complete