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West of Center : Art and the Counterculture Experiment in America, 1965-1977 /

". In the heady and hallucinogenic days of the 1960s and '70s, a diverse range of artists and creative individuals based in the American West--from the Pacific coast to the Rocky Mountains and the Southwest--broke the barriers between art and lifestyle and embraced the new, hybrid sensibil...

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Detalles Bibliográficos
Autores Corporativos: Scottsdale Museum of Contemporary Art, Museum of Contemporary Art/Denver
Otros Autores: Lerner, Adam, 1966-, Auther, Elissa
Formato: Electrónico eBook
Idioma:Inglés
Publicado: [Denver, Colo.] : Published in cooperation with the Museum of Contemporary Art Denver, 2012.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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040 |a MdBmJHUP  |c MdBmJHUP 
245 0 0 |a West of Center :   |b Art and the Counterculture Experiment in America, 1965-1977 /   |c Elissa Auther and Adam Lerner, editors ; foreword by Lucy R. Lippard. 
264 1 |a [Denver, Colo.] :  |b Published in cooperation with the Museum of Contemporary Art Denver,  |c 2012. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2014 
264 4 |c ©2012. 
300 |a 1 online resource (448 pages):   |b illustrations (some color) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
500 |a Published on the occasion of an exhibition held at the Museum of Contemporary Art Denver, Nov. 10, 2011-Feb. 19, 2012 and at the Scottsdale Museum of Contemporary Art, Sept. 29, 2012-Jan. 6, 2013. 
505 0 0 |t Foreword : Memory as model /  |t Lucy R. Lippard --  |t Introduction : The counterculture experiment : consciousness and encounters at the edge of art /  |r Elissa Auther and Adam Lerner --  |g Part. I.  |t Communal encounters.  |t How to build a commune : Drop City's influence on the Southwestern Commune Movement /  |r Erin Elder --  |t Collective movement : Anna and Lawrence Halprin's joint workshops /  |r Eva J. Friedberg --  |t The Farm by the freeway /  |r Jana Blankenship --  |t San Francisco video collectives and the counterculture /  |r Deanne Pytlinski --  |g Part II.  |t Handmade worlds --  |t Handmade genders : queer costuming in San Francisco circa 1970 /  |r Julia Bryan-Wilson --  |t Libre, Colorado, and the hand-built home /  |r Amy Azzarito --  |t Craft and the handmade at Paolo Soleri's communal settlements /  |r Elissa Auther --  |t Pond Farm and the summer craft experience /  |r Jenni Sorkin --  |t Expanded cinema in Los Angeles : the single wing turquoise bird /  |r David E. James --  |t Paper walls : political posters in an age of mass media /  |r Tom WIlson --  |g Part III.  |t Cultural politics.  |t The print culture of Yolanda M. López /  |r Karen Mary Davalos --  |t The countercultural 'Indian' : visualizing retribalization at the human be-in /  |r Mark Watson --  |t Goddess : feminist art and spirituality in the 1970s /  |r Jennie Klein --  |t The revolution will be visualized : Black Panther artist Emory Douglas /  |r Colette Gaiter --  |t Out of the closets, into the woods : the post-Stonewall emergence of queer anti-urbanism /  |r Scott Herring --  |g Part IV.  |t Altered consciousness.  |t Naked pictures : Ansel Adams and the Esalen Institute /  |r Suzanne Hudson --  |t Techniques of survival : the Harrisons and the environmental counterculture /  |r Amanda Boetzkes --  |t Countercultural intoxication : an aesthetics of transformation /  |r Mark Harris --  |t Everywhere present yet nowhere visible : Chögyam Trungpa Rinpoche and Dharma art at the Naropa Institute /  |r Bill Scheffe --  |t Signifying the ineffable : rock poster art and psychedelic counterculture in San Francisco /  |r Scott B. Montgomery. 
520 |a ". In the heady and hallucinogenic days of the 1960s and '70s, a diverse range of artists and creative individuals based in the American West--from the Pacific coast to the Rocky Mountains and the Southwest--broke the barriers between art and lifestyle and embraced the new, hybrid sensibilities of the countercultural movement. Often created through radically collaborative artistic practices, such works as Paolo Soleri's earth homes, the hand-built architecture of the Drop City and Libre communes, Yolanda López's political posters, the multisensory movement workshops of Anna and Lawrence Hal. 
588 |a Description based on print version record. 
650 7 |a Kunstproduktion  |2 gnd 
650 7 |a Gegenkultur  |2 gnd 
650 7 |a Counterculture.  |2 fast  |0 (OCoLC)fst00881315 
650 7 |a Art and society.  |2 fast  |0 (OCoLC)fst00815432 
650 7 |a ART  |x History  |x Contemporary (1945- )  |2 bisacsh 
650 7 |a ART  |x American  |x General.  |2 bisacsh 
650 0 |a Counterculture  |z West (U.S.)  |x History  |y 20th century  |v Exhibitions. 
650 0 |a Art and society  |z West (U.S.)  |x History  |y 20th century  |v Exhibitions. 
651 7 |a USA  |x Weststaaten  |2 gnd 
651 7 |a West United States.  |2 fast  |0 (OCoLC)fst01243255 
655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628 
655 7 |a Exhibition catalogs.  |2 fast  |0 (OCoLC)fst01424028 
655 4 |a Ausstellung  |z Denver (Colo.)  |y 2011. 
655 7 |a Electronic books.   |2 local 
700 1 |a Lerner, Adam,  |d 1966- 
700 1 |a Auther, Elissa. 
710 2 |a Scottsdale Museum of Contemporary Art. 
710 2 |a Museum of Contemporary Art/Denver. 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/24779/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - Archive Complete Supplement II 
945 |a Project MUSE - Archive History Supplement II