Opacity and the Closet : Queer Tactics in Foucault, Barthes, and Warhol /

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Opacity and the Closet interrogates the viability of the metaphor of "the closet" when applied to three important queer figures in postwar American and French culture: philosopher Michel Foucault, literary critic Roland Barthes, and pop artist Andy Warhol. Nicholas de Villiers proposes a n...

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Détails bibliographiques
Auteur principal: De Villiers, Nicholas
Format: Électronique eBook
Langue:Inglés
Publié: Minneapolis : University of Minnesota Press, 2012.
Collection:Book collections on Project MUSE.
Sujets:
Warhol, Andy > 1928-1987
Foucault, Michel > 1926-1984
Barthes, Roland > 1915-1980
Warhol, Andy, > 1928-1987.
Foucault, Michel, > 1926-1984.
Barthes, Roland.
Warhol, Andy, > 1928-1987 > Criticism and interpretation.
Barthes, Roland > Criticism and interpretation.
Foucault, Michel, > 1926-1984 > Criticism and interpretation.
Homosexualitet i litteraturen.
Jaget i litteraturen.
Queerteori.
Osynlighet.
Filosofi > etik.
Homosexualitet.
Identitet > självuppfattning.
Litteraturvetenskap.
Queer-Theorie
Self in literature.
Queer theory.
Homosexuality in literature.
SOCIAL SCIENCE > Gay Studies.
LITERARY CRITICISM > Gay & Lesbian.
Homosexualite dans la litterature.
Moi (Psychologie) dans la litterature.
Theorie queer.
Criticism, interpretation, etc.
Electronic book.
Electronic books.
Accès en ligne:Texto completo
Table des matières:
  • Introduction: Opacities: queer strategies
  • Confessions of a masked philosopher: anonymity and identification in Foucault and Guibert
  • Matte figures: Roland Barthes's ethics of meaning
  • "What do you have to say for yourself?" Warhol's opacity
  • Unseen Warhol/seeing Barthes
  • Andy Warhol up-tight: Warhol's effects
  • Conclusion: The interview as multi-mediated object.

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