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Afterimage of Empire : Photography in Nineteenth-Century India /
Afterimage of Empire provides a philosophical and historical account of early photography in India that focuses on how aesthetic experiments in colonial photography changed the nature of perception. Considering photographs from the Sepoy Revolt of 1857 along with landscape, portraiture, and famine p...
| Autor principal: | |
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Minneapolis :
University of Minnesota Press,
2012.
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a22000004a 4500 | ||
|---|---|---|---|
| 001 | musev2_24735 | ||
| 003 | MdBmJHUP | ||
| 005 | 20230905042632.0 | ||
| 006 | m o d | ||
| 007 | cr||||||||nn|n | ||
| 008 | 120430s2012 mnu o 00 0 eng d | ||
| 020 | |a 9780816679508 | ||
| 020 | |z 0816679509 | ||
| 020 | |z 9780816677498 | ||
| 035 | |a (OCoLC)792688062 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Chaudhary, Zahid R., |e author. | |
| 245 | 1 | 0 | |a Afterimage of Empire : |b Photography in Nineteenth-Century India / |c Zahid R. Chaudhary. |
| 264 | 1 | |a Minneapolis : |b University of Minnesota Press, |c 2012. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2014 | |
| 264 | 4 | |c ©2012. | |
| 300 | |a 1 online resource (256 pages): |b illustrations (some color) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a Cover; CONTENTS; INTRODUCTION: Sensation and Photography; ONE: Death and the Rhetoric of Photography: X Marks the Spot; TWO: Anaesthesis and Violence: A Colonial History of Shock; THREE: Armor and Aesthesis: The Picturesque in Difference; FOUR: Famine and the Reproduction of Affect: Pleas for Sympathy; CODA: Sensing the Past; Acknowledgments; Appendix: Translations; Notes; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; Z. | |
| 520 | |a Afterimage of Empire provides a philosophical and historical account of early photography in India that focuses on how aesthetic experiments in colonial photography changed the nature of perception. Considering photographs from the Sepoy Revolt of 1857 along with landscape, portraiture, and famine photography, Zahid R. Chaudhary explores larger issues of truth, memory, and embodiment. Chaudhary scrutinizes the colonial context to understand the production of sense itself, proposing a new theory of interpreting the historical difference of aesthetic forms. In rereading colonial photographic ima. | ||
| 546 | |a English. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Photography. |2 fast |0 (OCoLC)fst01061714 | |
| 650 | 7 | |a PHOTOGRAPHY |x History. |2 bisacsh | |
| 650 | 7 | |a PHOTOGRAPHY |x Criticism. |2 bisacsh | |
| 650 | 6 | |a Photographie |z Inde |x Histoire |y 19e siecle. | |
| 650 | 0 | |a Photography |z India |x History |y 19th century. | |
| 651 | 7 | |a India. |2 fast |0 (OCoLC)fst01210276 | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/24735/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - 2012 History Supplement II | ||
| 945 | |a Project MUSE - 2012 Asian and Pacific Studies Supplement | ||
| 945 | |a Project MUSE - 2012 Complete Supplement II | ||