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Out of Time : Desire in Atemporal Cinema
In Out of Time, Todd McGowan takes as his starting point the emergence of a temporal aesthetic in cinema that arose in response to the digital era. Linking developments in cinema to current debates within philosophy, McGowan claims that films that change the viewerAEs relation to time constitute a n...
| Autor principal: | |
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Minneapolis :
University of Minnesota Press,
2011.
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a McGowan, Todd, |e author. | |
| 245 | 1 | 0 | |a Out of Time : |b Desire in Atemporal Cinema |
| 264 | 1 | |a Minneapolis : |b University of Minnesota Press, |c 2011. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2014 | |
| 264 | 4 | |c ©2011. | |
| 300 | |a 1 online resource (296 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a Preface; Acknowledgments; Introduction: The Origins of the Atemporal Film; 1 Temporality after the End of Time in Pulp Fiction; 2 Not the Worst of All Possible Worlds: Sacrificing the Object in Butterfly Effect; 3 Eternity without Sunshine: Eternal Sunshine of the Spotless Mind and the Hopelessness of Love; 4 The Path to Politics in The Constant Gardener; 5 "Something Is Lost": The Ethics of Absolute Negativity in 21 Grams; 6 Timeless in Space: Placing Eternity in 2046; 7 Affirmation of the Lost Object: Peppermint Candy and the End of Progress. | |
| 520 | |a In Out of Time, Todd McGowan takes as his starting point the emergence of a temporal aesthetic in cinema that arose in response to the digital era. Linking developments in cinema to current debates within philosophy, McGowan claims that films that change the viewerAEs relation to time constitute a new cinematic mode: atemporal cinema. In atemporal cinema, formal distortions of time introduce spectators to an alternative way of experiencing existence in timeùor, more exactly, a way of experiencing existence out of time. McGowan draws on contemporary psychoanalysis, particularly Jacques Lacan, to. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Time in motion pictures. |2 fast |0 (OCoLC)fst01151109 | |
| 650 | 7 | |a Motion pictures |x Philosophy. |2 fast |0 (OCoLC)fst01027348 | |
| 650 | 7 | |a ART |x Digital. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x Reference. |2 bisacsh | |
| 650 | 6 | |a Temps au cinema. | |
| 650 | 0 | |a Time in motion pictures. | |
| 650 | 0 | |a Motion pictures |x Philosophy. | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/24693/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - Archive Complete Supplement II | ||
| 945 | |a Project MUSE - Archive Film, Theater and Performing Arts Supplement II | ||