(Dis)embodying Myths in Ancien Régime Opera : Multidisciplinary Perspectives /

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Throughout the Ancien Regime, mythology played a vital role in opera, defining such epoch-making works as Claudio Monteverdi's 'La favola d'Orfeo' (1607) and Christoph Gluck's 'Iphigenie en Tauride' (1779). The operatic presence of the Greco-Roman gods and heroes w...

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Bibliographic Details
Other Authors: Forment, Bruno
Format: Electronic eBook
Language:Inglés
Published: Leuven : Leuven UP, 2012.
Series:Book collections on Project MUSE.
Subjects:
Opera.
Mythology, Classical, in opera.
MUSIC > General.
MUSIC > Reference.
MUSIC > Genres & Styles > Classical.
Mythologie ancienne à l'opera.
Opera > Italie.
Opera > France > 18e siecle.
Opera > France > 17e siecle.
Opera > Italy.
Opera > France > 18th century.
Opera > France > 17th century.
Italy.
France.
Electronic books.
Online Access:Texto completo
Table of Contents:
  • Lo scherno degli dei : myth and derision in the dramma per musica of the seventeenth century / Jean-François Lattarico
  • Helpings from the great banquets of epic : Handel's Teseo, and Arianna in Creta / Robert C. Ketterer
  • Envoicing the divine : oracles in lyric and spoken drama in seventeenth-century France / Geoffrey Burgess
  • Addressing the divine : the 'numinous' accompagnato in opera seria / Bruno Forment
  • Iphigenia's curious Menange à trois in myth, drama, and opera / Reinhard Strohm
  • Spectatorship and involvement in Gluck's Iphigenie en Tauride / Bram van Oostveldt.

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