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The Persistence of Allegory : Drama and Neoclassicism from Shakespeare to Wagner /

In an impressively comparative work, Jane K. Brown explores the tension in European drama between allegory and neoclassicism from the sixteenth through the nineteenth century. Imitation of nature is generally thought to triumph over religious allegory in the Elizabethan and French classical theater,...

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Detalles Bibliográficos
Autor principal: Brown, Jane K., 1943-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Bristol : University Presses Marketing [distributor], 2007.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Brown, Jane K.,  |d 1943- 
245 1 4 |a The Persistence of Allegory :   |b Drama and Neoclassicism from Shakespeare to Wagner /   |c Jane K. Brown. 
264 1 |a Bristol :  |b University Presses Marketing [distributor],  |c 2007. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2014 
264 4 |c ©2007. 
300 |a 1 online resource (304 pages):   |b illustrations 
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505 0 0 |t Frontmatter --  |t Contents --  |t Preface --  |t Chapter 1. Introduction --  |t Chapter 2. Claude's Allegories and Literary Neoclassicism --  |t Chapter 3. Secular Tragedy: Neoclassicism in the Sixteenth Century --  |t Chapter 4. Allegory and Passion: Latin Dramatic Forms in the Seventeenth Century --  |t Chapter 5. The Allegorical Idioms of the Illusionist Stage: Spectacle in the Seventeenth Century --  |t Chapter 6. Opera and Dance: The Revival of Greek Tragedy --  |t Chapter 7. The Greek Revival: German Classicism and the Recovery of Spoken Drama --  |t Chapter 8. Wagner and the Death of Gesamtkunstwerk --  |t Coda: "This Insubstantial Pageant" --  |t Notes --  |t Works Cited --  |t Index 
520 |a In an impressively comparative work, Jane K. Brown explores the tension in European drama between allegory and neoclassicism from the sixteenth through the nineteenth century. Imitation of nature is generally thought to triumph over religious allegory in the Elizabethan and French classical theater, a shift attributable to the recovery of Aristotle's Poetics in the Renaissance. But if Aristotle's terminology was rapidly assimilated, Brown demonstrates that change in dramatic practice took place only gradually and partially and that allegory was never fully cast off the stage. The book traces a complex history of neoclassicism in which new allegorical forms flourish and older ones are constantly revitalized. Brown reveals the allegorical survivals in the works of such major figures as Shakespeare, Calderón, Racine, Vondel, Metastasio, Goethe, and Wagner and reads tragedy, comedy, masque, opera, and school drama together rather than as separate developments. Throughout, she draws illuminating parallels to modes of representation in the visual arts.A work of broad interest to scholars, teachers, and students of theatrical form, The Persistence of Allegory presents a fundamental rethinking of the history of European drama. 
588 |a Description based on print version record. 
650 7 |a Neoclassicism (Literature)  |2 fast  |0 (OCoLC)fst01035776 
650 7 |a European drama.  |2 fast  |0 (OCoLC)fst00916697 
650 7 |a LITERARY CRITICISM  |x European  |x General.  |2 bisacsh 
650 6 |a Neoclassicisme (Litterature)  |z Europe. 
650 6 |a Theâtre europeen  |x Histoire et critique. 
650 0 |a Neoclassicism (Literature)  |z Europe. 
650 0 |a European drama  |x History and criticism. 
651 7 |a Europe.  |2 fast  |0 (OCoLC)fst01245064 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 0 |a Electronic book. 
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710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
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945 |a Project MUSE - Archive Complete Supplement II 
945 |a Project MUSE - Archive Literature Supplement II