Voice in Motion : Staging Gender, Shaping Sound in Early Modern England /

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"Voice in Motion explores the human voice as a literary, historical, and performative motif in early modern English drama and culture, where the voice was frequently represented as struggling, even failing, to work. In an original argument, Gina Bloom demonstrates that early modern ideas about...

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Détails bibliographiques
Auteur principal: Bloom, Gina
Format: Électronique eBook
Langue:Inglés
Publié: Philadelphia : University of Pennsylvania Press, 2007.
Collection:Book collections on Project MUSE.
Sujets:
Shakespeare, William.
Shakespeare, William, > 1564-1616.
Shakespeare, William, > 1564-1616 > Criticism and interpretation.
Stimme
Schauspieler
Drama
Stimme > Motiv
Voice in literature.
Sex role in literature.
English drama > Early modern and Elizabethan.
English drama.
Echo (Greek mythology) in literature.
LITERARY CRITICISM > Drama.
Écho (Mythologie grecque) dans la litterature.
Rôle selon le sexe dans la litterature.
Voix dans la litterature.
Theâtre anglais > 17e siecle > Histoire et critique.
Theâtre anglais > 16e siecle > Histoire et critique.
English drama > 17th century > History and criticism.
English drama > Early modern and Elizabethan, 1500-1600 > History and criticism.
Englisch.
England
Criticism, interpretation, etc.
Electronic book.
Electronic books.
Accès en ligne:Texto completo
Table des matières:
  • Cover; Title; Copyright; Contents; Introduction: From Excitable Speech to Voice in Motion; 1 Squeaky Voices: Marston, Mulcaster, and the Boy Actor; 2 Words Made of Breath: Shakespeare, Bacon, and Particulate Matter; 3 Fortress of the Ear: Shakespeare's Late Plays, Protestant Sermons, and Audience; 4 Echoic Sound: Sandys's Englished Ovid and Feminist Criticism; Epilogue: Performing the Voice of Queen Elizabeth; Notes; Bibliography; Index; Acknowledgments.

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