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The Dramaturgy of Senecan Tragedy /

The 1st-century Roman tragedies of Seneca, like all ancient drama, do not contain the sort of external stage directions that we are accustomed to; nevertheless, a careful reading of the plays reveals such stage business as entrances, exits, setting, sound effects, emotions of the characters, and mor...

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Detalles Bibliográficos
Autor principal: Kohn, Thomas D., 1968- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Ann Arbor : The University of Michigan Press, [2013]
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Kohn, Thomas D.,  |d 1968-  |e author. 
245 1 4 |a The Dramaturgy of Senecan Tragedy /   |c Thomas D. Kohn. 
264 1 |a Ann Arbor :  |b The University of Michigan Press,  |c [2013] 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2013 
264 4 |c ©[2013] 
300 |a 1 online resource (192 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
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505 0 |a Introduction : Dramaturgical Methodology -- Seneca and His Dramatic Resources -- Oedipus -- Agamemnon -- Phaedra -- Medea -- Hercules Furens (Mad Hercules) -- Troades (Trojan Women) -- Thyestes -- Phoenissae (Women of Phoenicia) -- Conclusion. 
520 |a The 1st-century Roman tragedies of Seneca, like all ancient drama, do not contain the sort of external stage directions that we are accustomed to; nevertheless, a careful reading of the plays reveals such stage business as entrances, exits, setting, sound effects, emotions of the characters, and more. This book teases out these dramaturgical elements in Seneca's work and uses them both to aid in the interpretation of the plays and to show the playwright's artistry. The author provides a detailed overview of the corpus, laying the groundwork for appreciating Seneca's techniques in the individual dramas. Each of the chapters explores an individual tragedy in detail, discussing the dramatis personae and examining how the roles would be distributed among a limited number of actors, as well as the identity of the Chorus. The author makes a compelling argument for Seneca as an artist and a dramaturg in the true sense of the word: "a maker of drama." While other scholars have applied this type of performance criticism to individual tragedies or scenes, this comprehensive study is one of the first to consider not just stagecraft, but also metatheatrical issues such as the significant distribution of roles among a limited number of actors, as well as emotional states of the characters. Scholars of classics and theater, as well as those looking to stage the plays, will find much of interest in this study. --  |c Provided by publisher. 
546 |a English. 
588 |a Description based on print version record. 
600 1 7 |a Seneca, Lucius Annaeus,  |d approximately 4 B.C.-65 A.D.  |2 fast  |0 (OCoLC)fst01846771 
600 1 0 |a Seneca, Lucius Annaeus,  |d approximately 4 B.C.-65 A.D.  |x Criticism and interpretation. 
600 1 0 |a Seneca, Lucius Annaeus,  |d approximately 4 B.C.-65 A.D.  |x Tragedies. 
650 7 |a Latin drama (Tragedy)  |2 fast  |0 (OCoLC)fst00993112 
650 7 |a HISTORY / Ancient / Rome.  |2 bisacsh 
650 7 |a PERFORMING ARTS / Theater / History & Criticism.  |2 bisacsh 
650 7 |a LITERARY CRITICISM / Ancient & Classical.  |2 bisacsh 
650 6 |a Tragedie latine  |x Histoire et critique. 
650 0 |a Latin drama (Tragedy)  |x History and criticism. 
630 0 7 |a Tragedies (Seneca, Lucius Annaeus)  |2 fast  |0 (OCoLC)fst01357564 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/22037/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2013 Film, Theater and Performing Arts 
945 |a Project MUSE - 2013 Complete