The Beethoven Sonatas and the Creative Experience /

Kenneth Drake regards the Beethoven sonatas as products of an inner necessity that pianists share with the composer. He encourages musicians to exercise intuition and independence of thought in studying the "32" and to seek not just performance skills but logical conclusions about ideas an...

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Détails bibliographiques
Auteur principal: Drake, Kenneth, 1930-
Format: Électronique eBook
Langue:Inglés
Publié: Bloomington : Indiana University Press, 1994.
Collection:Book collections on Project MUSE.
Sujets:
Beethoven, Ludwig van.
Beethoven, Ludwig van, > 1770-1827 > Sonates, > piano.
Beethoven, Ludwig van, > 1770-1827. > Sonatas, > piano.
Sonatas (Beethoven, Ludwig van)
Klaviersonate
Pianomuziek.
Sonates.
Sonatas (Piano) > Analysis, appreciation.
MUSIC > Printed Music > Piano & Keyboard Repertoire.
MUSIC > Musical Instruments > Piano & Keyboard.
Electronic books.
Accès en ligne:Texto completo
Table des matières:
  • Preface
  • I. The First Raptus, and All Subsequent Ones
  • II. Technique as Touch
  • III. Tempo and the Pacing of Musical Ideas
  • IV. Dynamic Nuance and Musical Line
  • V. The Role of Silence
  • VI. Sound as Color
  • VII. Descriptive Music: Op. 81a, Op. 13
  • VIII. Motivic Development: Op. 2 No. 1, Op. 57, Op. 110
  • IX. Quasi una Fantasia: Op. 27 Nos. 1 and 2, Op. 26
  • X. Line and Space: Op. 2 No. 2, Op. 101
  • XI. Movement as Energized Color: Op. 53
  • XII. The Moment of Creation: Op. 28, Op. 31 Nos. 2 and 3
  • XIII. Facing Two Directions: Op. 49 Nos. 1 and 2, Op. 54, Op. 78, Op. 90
  • XIV. The Enjoyment of Fluency: Op. 10 Nos. 2 and 3, Op. 14 No. 2, Op. 22, Op. 31 No. 1, Op. 79
  • XV. The Cosmopolitan Impostor: Op. 2 No. 3, Op. 14 No. 1
  • XVI. Embracing the Dachstein: Op. 7, Op. 106
  • XVII. A Higher Revelation: Op. 10 No. 1, Op. 109, Op. 111
  • XVIII. The Witness Tree.

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