Cinepoetry : Imaginary Cinemas in French Poetry /

Afficher d'autres versions (3)

In this book, the author suggests a broad rethinking of the relationship between film and literature.

Détails bibliographiques
Auteur principal: Wall-Romana, Christophe
Format: Électronique eBook
Langue:Inglés
Publié: New York : Fordham University Press, 2013.
Édition:First edition.
Collection:Book collections on Project MUSE.
Sujets:
Motion pictures in literature.
Motion pictures and literature.
French poetry.
SOCIAL SCIENCE > Media Studies.
LITERARY CRITICISM > Poetry.
LITERARY CRITICISM > European > French.
Poesie française > 19e siecle > Histoire et critique.
Cinema dans la litterature.
Cinema et litterature > France.
Poesie française > 20e siecle > Histoire et critique.
French poetry > 19th century > History and criticism.
Motion pictures and literature > France.
French poetry > 20th century > History and criticism.
France.
Criticism, interpretation, etc.
Electronic books.
Accès en ligne:Texto completo
Table des matières:
  • Introduction : Cinema as Imaginary Medium in French Poetry
  • Mallarme Unfolds the Cinematographe
  • The Pen-Camera : Raymond Roussel's freeze-frame panorama
  • Le Film surnaturel : Cocteau's immersive writing
  • Jean Epstein's Invention of Cinepoetry
  • Breton's Surrealism, or How to Sublimate Cinepoetry
  • Doing Filmic Things with Words : On Chaplin
  • The Poem-Scenario in the Interwar (1917-1928)
  • Reembodied Writing : lettrism and kinesthetic scripts (1946-1959)
  • Postlyricism and the Movie Program : from Jarry to Alferi
  • Cine-Verse : decoupage poetics and filmic implicature
  • Max Jeanne's Western : eschatological sarcasm in the postcolony
  • Maurice Roche's Compact : word-tracks and the body apparatus
  • Nelly Kaplan's Le Collier de ptyx : Mallarme as political McGuffin
  • Conclusion : the film to come in contemporary poetry.

Documents similaires