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100917s2011 inu o 00 0 eng d |
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|z 2010037827
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| 020 |
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|a 9780253000873
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|z 0253000874
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|z 9780253356185
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|a (OCoLC)747432802
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|a MdBmJHUP
|c MdBmJHUP
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|a PN1998.3.C3545
|b F69 2011
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|a 791.4302/33092
|a B
|2 22
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| 100 |
1 |
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|a Fox, Alistair.
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| 245 |
1 |
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|a Jane Campion :
|b Authorship and Personal Cinema /
|c Alistair Fox.
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| 264 |
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1 |
|a Bloomington :
|b Indiana University Press,
|c 2011.
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| 264 |
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|a Baltimore, Md. :
|b Project MUSE,
|c 2011
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| 264 |
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4 |
|c ©2011.
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| 300 |
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|a 1 online resource (288 pages):
|b ill. ;
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| 336 |
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|a text
|b txt
|2 rdacontent
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| 337 |
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|a computer
|b c
|2 rdamedia
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| 338 |
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|a online resource
|b cr
|2 rdacarrier
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| 504 |
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|a Includes bibliographical references and index.
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|a Introduction: authorship, creativity, and personal cinema -- Origins of a problematic: the Campion family -- The "tragic underbelly" of the family: fantasies of transgression in the early films -- Living in the shadow of the family tree: Sweetie -- "How painful it is to have a family member with a problem like that": authorship as creative adaptation in An angel at my table -- Traumas of separation and the encounter with the phallic other: The piano -- The misfortunes of an heiress: The portrait of a lady -- Exacting revenge on "cunt men": Holy smoke as sexual fantasy -- "That which terrifies and attracts simultaneously": Killing daddy in the cut -- Lighting a lamp: loss, art, and transcendence in The water diary and Bright star -- Conclusion: theorizing the personal component of authorship.
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| 588 |
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|a Description based on print version record.
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| 600 |
1 |
0 |
|a Campion, Jane,
|d 1954-
|x Criticism and interpretation.
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| 655 |
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7 |
|a Electronic books.
|2 local
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| 710 |
2 |
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|a Project Muse.
|e distributor
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| 830 |
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|a Book collections on Project MUSE.
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| 856 |
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|z Texto completo
|u https://projectmuse.uam.elogim.com/book/202/
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| 945 |
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|a Project MUSE - Custom Collection
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| 945 |
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|a Project MUSE - 2011 Complete
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| 945 |
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|a Project MUSE - 2011 Film, Theater and Performing Arts
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