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Sally Potter /
This survey of Sally Potter{u2019}s work documents and explores her cinematic development from the feminist reworking of Puccini{u2019}s opera La Boheme in Thriller to the provocative contemplation of romantic relationships after 9/11 in Yes. Catherine Fowler traces a clear trajectory of developing...
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Urbana :
University of Illinois Press,
2009.
|
| Colección: | Book collections on Project MUSE.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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|---|---|---|---|
| 001 | musev2_19575 | ||
| 003 | MdBmJHUP | ||
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| 006 | m o d | ||
| 007 | cr||||||||nn|n | ||
| 008 | 080425s2009 ilu o 00 0 eng d | ||
| 010 | |z 2008019207 | ||
| 020 | |a 9780252091261 | ||
| 020 | |z 9780252075766 | ||
| 020 | |z 9780252033827 | ||
| 035 | |a (OCoLC)812194075 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Fowler, Catherine, |d 1969- | |
| 245 | 1 | 0 | |a Sally Potter / |c Catherine Fowler. |
| 264 | 1 | |a Urbana : |b University of Illinois Press, |c 2009. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2012 | |
| 264 | 4 | |c ©2009. | |
| 300 | |a 1 online resource (168 pages): |b illustrations ; | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Contemporary film directors | |
| 505 | 0 | |a London in the 1970s: performance on- and offscreen -- Power plays: Potter's search for a "frame of her own" -- Absent women and tales taken apart: Thriller and the Gold diggers -- Towards pleasure, developing style: Orlando and The tango lesson -- Finally tears: The man who cried and YES -- Endings -- An interview with Sally Potter. | |
| 520 | |a This survey of Sally Potter{u2019}s work documents and explores her cinematic development from the feminist reworking of Puccini{u2019}s opera La Boheme in Thriller to the provocative contemplation of romantic relationships after 9/11 in Yes. Catherine Fowler traces a clear trajectory of developing themes and preoccupations and shows how Potter uses song, dance, performance, and poetry to expand our experience of cinema beyond the audiovisual. At the heart of Potter{u2019}s work we find a concern with the ways in which narrative has circumscribed the actions of women and their ability to act, speak, look, desire, and think for themselves. Her first two films, Thriller and The Gold Diggers, largely deconstruct found stories, cliches, and images, while her later films create new and original narratives that place female acts, voices, looks, desires and thoughts at their center. Fowler{u2019}s analysis is supplemented by a detailed filmography, bibliography, and an interview with the director. | ||
| 588 | |a Description based on print version record. | ||
| 600 | 1 | 7 | |a Potter, Sally. |2 swd |
| 600 | 1 | 7 | |a Potter, Sally. |2 idszbz |
| 600 | 1 | 7 | |a Potter, Sally |d 1949- |2 gnd |
| 600 | 1 | 7 | |a Potter, Sally, |d 1949- |2 fast |0 (OCoLC)fst01754334 |
| 600 | 1 | 7 | |a Potter |x Sally |x Criticism and interpretation. |2 blmlsh |
| 600 | 1 | 4 | |a Potter, Sally |x Criticism and interpretation. |
| 600 | 1 | 0 | |a Potter, Sally, |d 1949- |x Criticism and interpretation. |
| 650 | 7 | |a Regissörer. |2 sfit | |
| 650 | 7 | |a Film. |2 idszbz | |
| 650 | 7 | |a Film |2 gnd | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/19575/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - Archive Complete Foundation | ||
| 945 | |a Project MUSE - Archive Film, Theater and Performing Arts Foundation | ||