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The Feminist Spectator as Critic /
This book is not meant to be a definitive study of feminist performance criticism. Rather, in some ways, it is a historical accounting of the different methodological and ideological pathways this criticism has taken over the last twenty-odd years, illustrated here by criticial case studies.
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Autor Corporativo: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Ann Arbor, Mich. :
University of Michigan Press,
2012
|
| Edición: | 2nd ed. |
| Colección: | UPCC book collections on Project Muse.
Book collections on Project MUSE. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Dolan, Jill, |d 1957- | |
| 245 | 1 | 4 | |a The Feminist Spectator as Critic / |c Jill Dolan. |
| 250 | |a 2nd ed. | ||
| 264 | 1 | |a Ann Arbor, Mich. : |b University of Michigan Press, |c 2012 | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2013 | |
| 264 | 4 | |c ©2012 | |
| 300 | |a 1 online resource (212 pages): |b col. ill., col. maps, digital file. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 500 | |a Issued as part of book collections on Project MUSE. | ||
| 504 | |a Includes bibliographical references (p. [145]-164) and index. | ||
| 505 | 0 | |a Preface -- Acknowledgments -- Introduction to the second edition -- 1. The Discourse of feminisms: the spectator and the representation -- 2. Feminism and the Canon: the question of universality -- 3. Ideology in performance: looking through the male gaze -- 4. The dynamics of desire: sexuality and gender in pornography and performance -- 5. Cultural feminism and the feminine aesthetic -- 6. Materialist feminism : apparatus-based theory and practice -- Afterword -- Notes -- Revised and updated bibliography -- Index to the first edition. | |
| 506 | |a Access restricted to authorized users and institutions. | ||
| 520 | |a This book is not meant to be a definitive study of feminist performance criticism. Rather, in some ways, it is a historical accounting of the different methodological and ideological pathways this criticism has taken over the last twenty-odd years, illustrated here by criticial case studies. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 0 | |a Feminism. | |
| 650 | 0 | |a Theater audiences. | |
| 650 | 0 | |a Feminist criticism. | |
| 650 | 0 | |a Feminist theater |z United States. | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. | |
| 776 | 1 | 8 | |i Print version: |z 9780472035199 |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a UPCC book collections on Project Muse. | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/19546/ |
| 945 | |a Project MUSE - Custom Collection | ||