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German Film after Germany : Toward a Transnational Aesthetic /
"What is the work of film in the age of transnational production? To answer that question, Randall Halle focuses on the film industry of Germany, one of Europe's largest film markets and one of the world's largest film-producing nations. In the 1990s Germany experienced an extreme tra...
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Urbana :
University of Illinois Press,
[2008]
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Halle, Randall. | |
| 245 | 1 | 0 | |a German Film after Germany : |b Toward a Transnational Aesthetic / |c Randall Halle. |
| 264 | 1 | |a Urbana : |b University of Illinois Press, |c [2008] | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2013 | |
| 264 | 4 | |c ©[2008] | |
| 300 | |a 1 online resource (256 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a The work of film in the age of transnational production -- Apprehending transnationalism -- German film, Aufgehoben : ensembles of transnational cinema -- The transnational aesthetic : Volker Schlöndorff, Studio Babelsberg, and Vivendi Universal -- The historical genre and the transnational aesthetic -- Inhabitant, exhabitant, cohabitant : filming migrants and the borders of Europe -- Transfrontier, broadcasting, transnational civil society. | |
| 520 | |a "What is the work of film in the age of transnational production? To answer that question, Randall Halle focuses on the film industry of Germany, one of Europe's largest film markets and one of the world's largest film-producing nations. In the 1990s Germany experienced an extreme transition from a state-subsidized mode of film production that was free of anxious concerns about profit and audience entertainment to a mode dominated by private interest and big capital. At the same time, the European Union began actively drawing together the national markets of Germany and other European nations, sublating their individual significances into a synergistic whole. This book studies these changes broadly, but also focuses on the transformations in their particular national context. It balances film politics and film aesthetics, tracing transformations in financing along with analyses of particular films to describe the effects on the film object itself. Halle concludes that we witness currently the emergence of a new transnational aesthetic, a fundamental shift in cultural production with ramifications for communal identifications, state cohesion, and national economies."--Pub. desc. | ||
| 588 | |a Description based on print version record. | ||
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| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - Archive Film, Theater and Performing Arts Supplement | ||
| 945 | |a Project MUSE - Archive Complete Supplement | ||